Egon 100 / Justin de Verteuil

Justin de Verteuil

Trinidadian b. 1990 Egon Score: 31.6
Discovery
#77
Justin de Verteuil
Justin de Verteuil
Justin de Verteuil
Justin de Verteuil
Justin de Verteuil
Justin de Verteuil
Justin de Verteuil
Justin de Verteuil

Egon Investment Scores

Liquidity
2/10
How easily works can be bought and sold at auction
Institutional
4/10
Museum collections, biennials, and institutional recognition
Momentum
8/10
Recent price trends, gallery moves, and market buzz
Discovery
1/10
Undervaluation opportunity relative to peer artists
Risk
5/10
Investment risk factors — higher means more volatile

Market Position

Liquidity
Low secondary market liquidity (no auction presence), but strong primary market liquidity through gallery. This is typical for early-career artists with gallery management
Comparables
Artists with similar trajectory: contemporary figurative painters emerging from German art academies with Caribbean connections; Peter Doig connection provides important market signal
Collector Base
Emerging international collector base; works distributed through Sies + Höke, ADZ Gallery network; likely European-focused with growing international interest
Primary Market
Status
Gallery-controlled primary market
Availability
Limited - most recent works (2024-2025) sold out; current 2025 works available only through direct gallery inquiry
Sales Velocity
Very high - nearly all 2024-2025 works listed on Ocula and Artsy show 'Sold' status, indicating strong collector demand and effective gallery placement
Price Indicators
Note
Specific pricing not disclosed publicly - typical gallery-represented emerging artist practice
Large Works
260 x 300 cm (Minnesang, 2024)
Small Works
30 x 40 cm works
Medium Works
100-200 cm works
Pricing Structure
Contact Sies + Höke for current pricing - works consistently marked 'Sold' indicating strong demand
Auction History
Price Range
No public auction results found
Recent Activity
No secondary market auction presence as of December 2025
Total Lots Sold
0
Market Trajectory
Rapid upward trajectory since 2023 breakout. Moving from unknown to internationally recognized within 2-year period (2023-2025). Gallery representation with strong European gallery (Sies + Höke) suggests controlled market development
Total Lots Offered
0
Market Position
Tier
Discovery

Institutional Presence

Exhibitions
TitleYearDatesVenueLocationSignificanceType
Sweet Odour2023March 9 - April 8, 2023ADZ GalleryLisbon, PortugalSolo
Nexus2023May 12 - June 17, 2023Caprii by Sies + HökeDüsseldorf, GermanyFirst solo presentation in GermanySolo
Bernheim x ADZ Gallery: Group Show2024BernheimZurich, SwitzerlandGroup
Planet Caravan2024March 8 - May 31, 2024López de la Serna CACMadrid, SpainDebut presentation in SpainSolo
Magpie on a Morning Gallows2024November 22, 2024 - January 11, 2025Sies + HökeDüsseldorf, GermanySolo
Art Basel2025June 2025Art BaselBasel, SwitzerlandFeatured by Sies + Höke; named one of '8 emerging artists to seek out' by Art BaselFair - Kabinett sector
Museum Collections
Fair Participation
YearFairGallery
2023Frieze No.9 Cork StreetADZ Gallery
2025Art BaselSies + Höke
Institutional Validation Notes
Early-stage institutional presence. No confirmed museum acquisitions yet, but strong commercial gallery representation and Art Basel recognition indicate building institutional interest. Peter Doig mentorship connection significant for future institutional positioning
Awards and Recognition
Year
2019
Award
Meisterschüler
Awarded by
Siegfried Anzinger
Institution
Kunstakademie Düsseldorf
Year
2025
Recognition
Featured as one of '8 emerging artists to seek out at Art Basel 2025' in official Art Basel editorial

Career & Biography

Career
YearEvent
2012Began painting studies with Edward Bowen in Trinidad after dropping out of university in Canada at age 21
2014Moved to Düsseldorf to study at Kunstakademie Düsseldorf as guest student in Peter Doig's class
2019Awarded Meisterschüler by Siegfried Anzinger
2023Breakout year - First solo exhibition at ADZ Gallery Lisbon (Sweet Odour, March-April); First solo presentation in Germany at Caprii by Sies + Höke, Düsseldorf (Nexus, May-June); International recognition accelerates
2024Solo exhibition at López de la Serna CAC, Madrid (Planet Caravan, March-May); Second solo show at Sies + Höke (Magpie on a Morning Gallows, November 2024-January 2025)
2025Featured at Art Basel in Basel (Kabinett sector) as one of '8 emerging artists to seek out'; Continued strong primary market sales through Sies + Höke
Identity
Current Location
Düsseldorf, Germany
Artistic Context
Key Influences
Peter Doig (early mentor at Kunstakademie), Edward Bowen (Trinidad mentor), Giotto, Piero della Francesca, medieval/Renaissance artists, Ananda Coomaraswamy (art historian/philosopher), Pieter Bruegel the Elder

Artistic Profile

Style
Style
Contemporary figurative painting with Gothic iconographic influences; characterized by tension between proximity and distance, drama and stillness
Evolution
From discovering painting at 21 in Trinidad, through academic formation in Düsseldorf, to professional emergence. Work has evolved from initial urban scene explorations to complex multi-figure compositions with allegorical dimensions. Post-pandemic period saw shift to group scenes. Increasing sophistication in color use and compositional ambiguity
Influences
Influences Trajectory
Edward Bowen (Trinidad mentor) → Peter Doig (Kunstakademie) → Giotto, Piero della Francesca (medieval/Renaissance) → Bruegel (The Magpie on the Gallows reference) → Contemporary figurative painting traditions
Visual Language
Ranges from small (30 x 40 cm) to very large (260 x 300 cm). Comfortable working across multiple scales
Themes and Subjects
  • Interpersonal relationships and emotional intimacy
  • Tension between proximity and distance, presence and absence
  • Post-pandemic isolation and reconnection
  • Family and personal environment
  • Urban spaces and mundane settings transformed
  • Private inner life versus social interaction
  • Trinidad heritage and German present
  • Religious iconography and secular life
  • Group situations and isolated figures
  • Self-portraits
  • Family members and personal environment
  • Urban scenes (Düsseldorf streets, Trinidad backyards)
  • Allegorical compositions referencing saints and religious imagery
  • Torero/bullfighter imagery
  • Birds (magpies) as symbolic devices
  • Interiors and architectural structures
Movements and Periods
Techniques and Mediums
Figurative oil painting on canvas and paper Intuitive 'picture-finding' process rather than pre-conceived compositions. Multiple buried layers of paint with subsequent alterations and abandonments. Photographically recorded moments from travels and daily life serve as templates. Masterful command and balancing of color. Tension between drama and stillness, frozen movement quality. Ambiguous atmospheric spaces

Critical Reception

Critical Reception
Monographs
None published
Major Reviews
DateSignificancePublicationType
March 2023Art ViewerExhibition review/documentation
July 2023In-depth discussion of artistic practice, influences, working methodsRevue EclipseArtist interview
Visibility in major art publicationFriezeExhibition listing/documentation
May 2025Major institutional recognition and visibilityArt BaselFeature article
Critical Themes
Interpersonal relationships and emotional distance, tension between proximity and absence, Gothic iconographic influence, transformation of mundane into transcendent, post-pandemic isolation and reconnection, family and personal environment as subject matter, ambiguity and open narratives
Catalogue Raisonne
None - too early in career
Publications and Media
Documentary Coverage
No known documentary films

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