Egon 100 / Mamma Andersson

Mamma Andersson

Swedish b. 1962 Egon Score: 36.7
Growth
#60
Mamma Andersson
Mamma Andersson
Mamma Andersson
Mamma Andersson
Mamma Andersson

Egon Investment Scores

Liquidity
6/10
How easily works can be bought and sold at auction
Institutional
9/10
Museum collections, biennials, and institutional recognition
Momentum
7/10
Recent price trends, gallery moves, and market buzz
Discovery
2/10
Undervaluation opportunity relative to peer artists
Risk
1/10
Investment risk factors — higher means more volatile

Market Position

Primary Market
Notes
Contact galleries directly for current pricing on paintings; prints through secondary market and galleries
Availability
Works available through David Zwirner, Stephen Friedman Gallery, and Galleri Magnus Karlsson
Pricing Status
Gallery-controlled
Auction History
Date
2008
Work
Heimat Land
Notes
This remains the artist's highest auction result
Price USD
$1,029,545
Sold Lots
61
Auction House
Christie's London
Price Evolution
Notes
Prices strongest for major paintings from 2000s; more recent works through primary galleries
Peak Period
2008 (record at Christie's London)
Prints Editions
$3,500 - 20,000 USD
Current Range Paintings Sek
900,000 - 2,200,000
Current Range Paintings USD Approx
85,000 - 210,000
Price Range USD
32 - 1,029,545
Recent Activity
Active secondary market with 2024-2025 sales
Total Lots Tracked
86
Recent Notable Sales
WorkYearAuction HouseEstimate SekHammer Price SekSale DateStatus
On Tenterhooks2005
Objekt2000Bukowskis Stockholm1,500,000-2,000,000$2,200,000April 2025
Runda bordetBukowskis Stockholm1,000,000-1,200,000$1,700,000April 2025
Dolly (2016)March 2025Auction closed
Faces (2010)August 2024Auction closed
Primary Auction Venue
Bukowskis Stockholm (44 lots)
Market Characteristics
Liquidity
Moderate - approximately 10-15 lots annually
Price Trend
Stable with occasional exceptional results
Medium Breakdown
Paintings command highest prices; prints/multiples available $3,500-20,000 range
Geographic Demand
Strong in Scandinavia, established international market
Sell Through Rate
33.3% (last 36 months per Artsy)
Geographic Concentration
Sweden (41 sales)

Institutional Presence

Exhibitions
Biennials Fairs
YearEventRole
201833rd Bienal de São PauloArtist and co-curator ('Stargazer II' presentation)
200350th Venice BiennaleNordic Pavilion representative for Sweden
Major Exhibitions Solo
TitleYearDatesVenue
A history over and over again2025June 27 - September 14, 2025He Art Museum, Foshan, China
Nordic noir: works on paper from Edvard Munch to Mamma Andersson2025-2026October 9, 2025 - March 22, 2026The British Museum, London
Efter Hill / After Hill2024March 16 - April 20, 2024Galleri Magnus Karlsson, Stockholm
Adieu Maria Magdalena2023October 2023David Zwirner, Paris
Tal R & Mamma Andersson - About Hill2022-2023October 2022 - February 2024Kunsten Museum Aalborg / Malmö Konstmuseum / Museum MORE
Humdrum Days2021June 2021Louisiana Museum of Modern Art, Denmark
The Lost Paradise2020March 4 - July 31, 2020David Zwirner, New York
Memory Banks2018October 2018Contemporary Arts Center, Cincinnati
Solo Exhibition2017Stephen Friedman Gallery, London
Behind the Curtain2015David Zwirner, New York
Dog Days2011-2012October 23, 2011 - February 5, 2012Museum Haus Esters, Krefeld, Germany
Who is sleeping on my pillow2010David Zwirner, New York
First US Solo Museum Exhibition2010Aspen Art Museum, Colorado
Solo Exhibition2009Douglas Hyde Gallery, Dublin
Mid-Career Survey2007Moderna Museet, Stockholm / Kunsthalle Helsinki / Camden Arts Centre, London
Rooms Under the Influence2006David Zwirner, New York
Museum Collections
InstitutionLocation
The Museum of Modern Art (MoMA)New York, USA
Centre PompidouParis, France
Moderna MuseetStockholm, Sweden
Louisiana Museum of Modern ArtHumlebæk, Denmark
Museum of Contemporary Art (MoCA)Los Angeles, USA
San Francisco Museum of Modern Art (SFMOMA)San Francisco, USA
Hammer MuseumLos Angeles, USA
Dallas Museum of ArtDallas, USA
National Gallery of ArtWashington DC, USA
The British MuseumLondon, UK
Göteborgs KonstmuseumGothenburg, Sweden
Malmö KonstmuseumMalmö, Sweden
Magasin IIIStockholm, Sweden
Västerås KonstmuseumVästerås, Sweden
National MuseumOslo, Norway
National Public Art CouncilStockholm, Sweden
Awards and Recognition
YearNotesAward
2018Prestigious European art awardDaniel and Florence Guerlain Drawing Prize
2006Prestigious prize for Nordic contemporary painting with touring exhibitionCarnegie Art Award

Career & Biography

Career
Early Career
Started painting landscapes while pushing children in pram around Stockholm; worked as guard at Moderna Museet which influenced her development
Identity
Family
Partner
Jockum Nordström (artist)
Children
Two sons
Alternate Names
Mamma AnderssonKarin AnderssonAndersson, Karin Mamma
Current Location
Stockholm, Sweden
Artistic Context

Artistic Profile

Style
Figurative painting with elements of abstraction; Nordic romanticism merged with contemporary psychological narrative
Influences
Influences on Others
Influential figure in contemporary Nordic painting; referenced in discussions of current figurative painting revival; inspiration for younger Swedish artists
Visual Language
Themes and Subjects
Domestic interiorsNordic landscapes (snow, forests, wooden cabins, mountains)Melancholic still lifesSparse figures in theatrical settingsTheater sets and stage-like compositionsFound imagery and art historical referencesMemory and psychological statesMemory and timeDreams and subconsciousIsolation and melancholyNordic folklore and mythologyEveryday domestic life as 'lightning bolts'Art history and quotationPsychological states and interiorityQuiet menace and ambiguity
Movements and Periods
Period
Early (1990s)
Characteristics
Focus on landscapes inspired by daily walks with children; Nordic scenery
Period
Mature (2000s-2010s)
Characteristics
Complex interiors, art historical references, theatrical compositions; Venice Biennale representation
Period
Current (2020s)
Characteristics
Simpler compositions, material experimentation (cotton canvas, oil bars, rabbit skin glue), continued engagement with Carl Fredrik Hill and art history
Part of generation reviving figurative painting in 2000s alongside Peter Doig, Daniel Richter, Cecily BrownContinues legacy of Nordic painters: Edvard Munch, Vilhelm Hammershøi, Carl Fredrik HillCompared to Intimist painters like VuillardPositioned in 'painterly ambiguity' movement (Russell Ferguson, Hammer Museum)Contributes to contemporary discourse on memory, appropriation, and psychological narrative in painting
Techniques and Mediums
Signature Techniques
Combination of textured brushstrokes and loose washesThin layers of oil and acrylic on panel or canvasDeliberate crude, heavy-handed application contrasted with delicate transparencyUse of wood panels with visible grain textureRepeated applications and overpaintingStark graphic lines mixed with painterly passagesUnframed works with rough carpentry

Critical Reception

Critical Reception
Critical Consensus
  • Described as 'one of the most important painters of her generation' (Louisiana Museum)
  • Praised for unique combination of textured brushstrokes, loose washes, stark graphic lines
  • Noted for 'painterly ambiguity' and integration of past/present, abstraction/figuration
  • Compared stylistically to Peter Doig, David Hockney, Édouard Vuillard
  • Recognized for 'Bergmanesque sensibility' and Nordic melancholy
  • Artforum: 'Strong artists re-create art history through their works, and Andersson does so with confidence and aesthetic acuity'
Catalogues Monographs
TitleYearVenueContributorsPublisher
Mamma Andersson: The Lost Paradise2021Karl Ove KnausgaardDavid Zwirner Books
Mamma Andersson: Humdrum Days2021Louisiana MuseumKarl Ove Knausgård, Magnus Florin, Barry Schwabsky
Tal R & Mamma Andersson About Hill2022Kunsten Museum / Malmö Konstmuseum / Museum MORE
Mamma Andersson2007Moderna MuseetAnn-Sofi Noring, Kim Levin, Midori MatsuiSteidl
Aspen Art Museum catalogue2010Heidi Zuckerman, Laura Hoptman (MoMA), Dominic Molon
Publications and Media
Major Publications Reviews
CoveragePublication
Multiple reviews spanning 2006-2024Artforum
Regular coverage of exhibitionsThe Art Newspaper
Feature articlesThe Guardian
Apollo Magazine
Auction analysisChristie's Daily
Exhibition reviewsThe New Yorker

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