Elizabeth Glaessner
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The market, in context.
Explore Elizabeth Glaessner’s auction history alongside the exhibitions, collections and gallery relationships behind the market.
Institutional research
Collections & exhibitions
Read holdings, exhibition history and their qualifications in context.
Read the institutional research →
Egon investment scores
Market position
Research updated
Auction record context
$24,130 (Phillips, November 2023 for 'Bacchanal', 2017)
Auction highlights
Scroll horizontally if needed →
| Work | Result | Venue and date |
|---|---|---|
| Phantom Feet Washing | Not supplied | Unknown (listed on Artnet), March 13, 2025 |
| Bacchanal | Not supplied | Phillips, November 15, 2023 |
Pricing
Notes
Primary market pricing not publicly disclosed. Given gallery tier (Perrotin is Tier 1) and career trajectory, primary market prices for large-scale oils likely range $15,000-$60,000+ depending on scale and significance, though exact figures are not publicly available. Works on paper and smaller works likely at lower price points.
- Auction range
- $20,000-$30,000 (based on single confirmed sale with estimate)
- Primary market
- Contact P·P·O·W (New York), Perrotin (Paris/Tokyo), or François Ghebaly (Los Angeles) for current pricing
- Scale differentiation
- Large-scale paintings (82 x 110 in.) represent highest price tier; works on paper (14-18 in.) at entry-level pricing
Liquidity
- Market depth
- Thin secondary market; primarily gallery-controlled primary market
- Sell through rate
- Limited data — at least 1 confirmed sale of 1 confirmed lot
- Annual auction volume
- 1-2 lots per year at most
Comparables
Notes
Glaessner appears alongside these artists frequently in group exhibitions and art fair booths. Henni Alftan (also Perrotin) had a $66,040 Phillips sale in the same November 2023 auction, suggesting Glaessner may have room for upside.
Peer artists
- Henni Alftan
- Danielle Orchard
- Doron Langberg
- Christina Quarles
- GaHee Park
Collector base
- Collector type
- Likely contemporary art collectors focused on figurative painting, feminist art, and emerging-to-mid-career artists
- Institutional interest
- Consortium Museum (Dijon), FLAG Art Foundation (New York), Green Family Art Foundation (Dallas)
- Geographic distribution
- US (New York primary), Europe (France), Asia (Tokyo, Beijing — emerging presence)
Auction history
- Notes
- Very limited secondary market. Most sales occur through primary gallery channels. 5 total auction appearances per MutualArt.
- Auction record
- $24,130 (Phillips, November 2023 for 'Bacchanal', 2017)
- Total lots at auction
- Approximately 5 (per MutualArt), with limited secondary market activity
Market position
- Segment
- Emerging-to-mid-career contemporary figurative painting
Trajectory
Strong upward trajectory — gallery representation has escalated significantly from 2021-2025, moving from mid-tier US gallery (P·P·O·W) to international Tier 1 representation (Perrotin) and expanding to West Coast (Ghebaly)
Demand indicators
Regular art fair exposure at Art Basel (Switzerland and Hong Kong); increasing group show invitations at blue-chip galleries (Timothy Taylor, James Cohan, Kasmin); expanding into Asian market (Perrotin Tokyo, Tang Contemporary Art Beijing)
Investment outlook
Positive momentum. Gallery representation has been upgraded significantly (Perrotin addition). Active international exhibition schedule across US, Europe, and Asia. Thin secondary market suggests tight supply. Artist is in a growth phase with accelerating institutional and critical attention. Key risk: still early in auction market development.
Institutional presence
Research updated
Exhibitions
Solo exhibitions
Running Water
- Year
- 2025
- Notes
- Fourth solo with the gallery
- Venue
- P·P·O·W
- Location
- New York, NY
Head Games
- Year
- 2024
- Venue
- Perrotin
- Location
- Tokyo, Japan
Now you're a lake
- Year
- 2024
- Dates
- April 6 - May 11, 2024
- Notes
- First exhibition with gallery
- Venue
- François Ghebaly
- Location
- Los Angeles, CA
Elizabeth Glaessner (organized by Purple Magazine)
- Year
- 2024
- Venue
- Cité Radieuse
- Location
- Marseille, France
Dead Leg
- Year
- 2022
- Notes
- First solo at Perrotin
- Venue
- Perrotin
- Location
- Paris, France
View 8 more records
Phantom Tail
- Year
- 2022
- Notes
- Third solo with gallery
- Venue
- P·P·O·W
- Location
- New York, NY
Four Legs in a Garden
- Year
- 2022
- Dates
- Feb 4 - May 22, 2022
- Notes
- First institutional solo presentation
- Venue
- Consortium Museum
- Location
- Dijon, France
River Deep Mountain High (with Aaron Michael Skolnick)
- Year
- 2021
- Venue
- Fierman Gallery
- Location
- New York, NY
Power Walking (with Rose Nestler)
- Year
- 2019
- Venue
- Public Gallery
- Location
- London, UK
Red Clover (with David Mramor)
- Year
- 2019
- Venue
- Lane Meyer Projects
- Location
- Denver, CO
Mother Tongue
- Year
- 2018
- Notes
- Second solo with gallery
- Venue
- P·P·O·W
- Location
- New York, NY
Doron Langberg + Elizabeth Glaessner
- Year
- 2017
- Venue
- 1969 Gallery
- Location
- New York, NY
All this happened, more or less
- Year
- 2014
- Notes
- First solo with gallery
- Venue
- P·P·O·W
- Location
- New York, NY
Selected group exhibitions
Scroll horizontally if needed →
| Year | Title | Venue | Location |
|---|---|---|---|
| 2025-2026 | When Daylight Descends | Tang Contemporary Art | Beijing, China |
| 2025 | Behind the Bedroom Door | James Cohan | New York, NY |
| 2025 | The Kids Are Alright | Timothy Taylor | New York, NY |
| 2025 | French Fry's Fifth | Half Gallery Annex | New York, NY |
| 2025 | Group exhibition (with Asami Shoji, Oda Iselin Sønderland) | François Ghebaly | New York, NY |
| 2025 | A Net Cast for Something Like Hopefulness | Galveston Artist Residency | Galveston, TX |
| 2025 | NYAA Chubb Fellows and Friends | Green Family Art Foundation / NYAA | Dallas, TX / New York, NY |
| 2024 | The Swimmer | FLAG Art Foundation | New York, NY |
| 2024 | Creatures on My Mind | STANCE Gallery | Stockholm, Sweden |
| 2024 | Le Vernissage, Partie Un | Brigitte Mulholland | Paris, France |
| 2023 | Apocalypse Now | Journal Gallery | Patmos, Greece |
| 2023 | Come A Little Closer | DC Moore Gallery | New York, NY |
| 2023 | Women on the Verge (curated by Lisa Wainwright) | Rhona Hoffman Gallery | Chicago, IL |
| 2023 | Togetherness: For Better or Worse | Green Family Art Foundation | Dallas, TX |
| 2022 | Somatic Markings | Kasmin Gallery | New York, NY |
| 2022 | Finger Bang | Perrotin | Paris, France |
| 2021 | Les Yeux Clos (Eyes Closed) | Perrotin | Paris, France |
| 2016 | The Woman Destroyed | P·P·O·W | New York, NY |
| 2019 | Thrashing Whispers | Trinity University | Dublin, Ireland |
Museum collections
- Confirmed collections
- No confirmed permanent museum collections found in public sources
Institutional relationships
Scroll horizontally if needed →
| Name | Note | Type | Location |
|---|---|---|---|
| Consortium Museum | Important French contemporary art institution; solo 'Four Legs in a Garden' (Feb-May 2022) | Solo exhibition | Dijon, France |
| FLAG Art Foundation | Included in 'The Swimmer' group show | Group exhibition | New York, NY |
| Green Family Art Foundation | 'Togetherness: For Better or Worse' (2023); NYAA Chubb Fellows and Friends (2025) | Group exhibition | Dallas, TX |
| Southampton Arts Center | 2020 Vision (2020); Water|Bodies (2016) | Group exhibition | Southampton, NY |
| Tang Contemporary Art | 'When Daylight Descends' (Dec 2025-Jan 2026) | Group exhibition | Beijing, China |
Awards and recognition
Post-Graduate Fellowship
- Year
- 2013
- Institution
- New York Academy of Art
Artsy '5 Artists on Our Radar'
- Note
- Selected for new gallery representation and market impact
- Year
- 2021
Galerie Magazine '8 Must-See Gallery Exhibitions'
- Year
- 2022
Career & Biography
Research updated
Identity
- Gender
- Female
- Grew up
- Houston, Texas
- Full name
- Elizabeth Glaessner
- Birth year
- 1984
- Birth place
- Palo Alto, California, USA
- Nationality
- American
- Current location
- Brooklyn, New York, USA
Education
Scroll horizontally if needed →
| Year | Degree | Location | Institution |
|---|---|---|---|
| 2006 | BA in Art & Art History | San Antonio, TX | Trinity University |
| 2013 | MFA | New York, NY | New York Academy of Art |
Career timeline
- 2006
- Graduated from Trinity University; moved to New York
- 2012
- LIAP Residency in Leipzig, Germany
- 2013
- Completed MFA at New York Academy of Art; awarded post-graduate fellowship; GlogauAIR residency in Berlin
- 2014
- First solo exhibition 'All this happened, more or less' at P·P·O·W, New York
- 2018
- Second solo at P·P·O·W, 'Mother Tongue'
- 2020
- Galveston Artist Residency
- 2021
- Two-person show at Fierman Gallery, NY; included in group show 'Les Yeux Clos' at Perrotin, Paris; Art Basel Hong Kong with P·P·O·W
2022
Major year: Third solo 'Phantom Tail' at P·P·O·W; first institutional solo 'Four Legs in a Garden' at Consortium Museum, Dijon; first solo 'Dead Leg' at Perrotin, Paris; group show at Kasmin, NY
- 2024
- Solo 'Head Games' at Perrotin, Tokyo; first solo 'Now you're a lake' at François Ghebaly, LA; Purple Magazine project at Cité Radieuse, Marseille
2025
Fourth solo 'Running Water' at P·P·O·W (Fall 2025); group shows at Timothy Taylor NY, James Cohan NY, François Ghebaly NY; Art Basel Switzerland and Hong Kong with P·P·O·W; included in Perrotin's Art Basel booth; Tang Contemporary Art group show, Beijing
Studio practice
Works in Brooklyn, NY studio. Begins each piece intuitively by pouring preliminary colors on a flat surface, then layers oil over poured pigments, allowing stochastic mark-making and liquid shapes to form the underpinnings of scenes. Uses sketches and small paintings as preparatory studies for larger compositions.
Artistic context
Influences
- Edvard Munch
- Ernst Ludwig Kirchner
- Symbolist painters
- mythology
- art history
- pop culture
Personal note
Born with a protruding tailbone, which inspired investigation into human animality and connection to the natural world — a recurring theme in her work
Contemporaries
- Angela Dufresne
- Kyle Staver
- Danielle Orchard
- Henni Alftan
- Christina Quarles
- Emily Mae Smith
- Doron Langberg
- Vivian Greven
- GaHee Park
Residencies and fellowships
Scroll horizontally if needed →
| Name | Year | Location |
|---|---|---|
| New York Academy of Art Post-Graduate Fellowship | 2013 | New York, NY |
| GlogauAIR Artist in Residence | 2013 | Berlin, Germany |
| Leipzig International Art Programme (LIAP) Residency | 2012 | Leipzig, Germany |
| Galveston Artist Residency | 2020 | Galveston, TX |
Artistic Profile
Research updated
Style
Description
Densely layered, saturated compositions depicting fluid, metamorphosing figures in amorphous dreamlike landscapes. Combines formal articulation with non-representational gesture. Works balance between figuration and abstraction, inviting multiple readings.
Distinctive elements
- Poured pigment underlayers creating stained, atmospheric backgrounds
- Oil paint layered over water-based pigments for material tension
- Androgynous, amorphous figures in states of becoming or undoing
- Bold, high-key color fields
- Hazy deep space with smoothly modelled volumes
- Figures and landscapes merging into one another
Evolution
Early period 2014 2018
Initial explorations of mythological imagery with feminist urgency. Used diverse materials including dye-on-silk and sumi ink on rice paper alongside oil painting. Established core visual vocabulary of amorphous figures and gestural landscapes.
Middle period 2019 2022
Deepened engagement with mythology and bodily metamorphosis. 'Phantom Tail' series explored protruding tailbone as metaphor for human animality. Technique became more refined with distinctive poured-pigment underlayers. Larger scale works.
Current period 2024 2025
Greater focus on water as central metaphor and material strategy. 'Running Water' series uses aqueous themes to dissolve boundaries between body, landscape, memory, and present. Environmental consciousness emerges alongside personal mythology. Continued refinement of layered technique.
Influences
Cultural
- Mythology
- Fairy tales
- Pop culture
- Psychoanalysis
- Houston/East Texas landscape and bayous
Art historical
- Edvard Munch
- Ernst Ludwig Kirchner
- Symbolist painting
- Classical mythology
- Catholic iconography / memento mori tradition
- Pre-Raphaelites
Contemporary peers
- Angela Dufresne
- Kyle Staver
- Doron Langberg
Visual language
Saturated color palettes shifting between hot and cool registers. Misty, vaporous atmospheres punctuated by intense chromatic passages. Figures emerge from and dissolve into their surroundings. The boundary between representation and abstraction is deliberately unstable.
Key bodies of work
Scroll horizontally if needed →
| Year | Title | Context |
|---|---|---|
| 2014 | All this happened, more or less | First solo at P·P·O·W |
| 2018 | Mother Tongue | Second P·P·O·W solo; Art in America review |
| 2022 | Phantom Tail | Third P·P·O·W solo; exploration of human animality and vestigial anatomy |
| 2022 | Four Legs in a Garden | First institutional solo at Consortium Museum, Dijon |
| 2022 | Dead Leg | First Perrotin solo, Paris |
| 2024 | Head Games | Perrotin Tokyo; intimate-scale paintings |
| 2024 | Now you're a lake | First François Ghebaly solo; threshold/liminal themes |
| 2025 | Running Water | Fourth P·P·O·W solo; water as central metaphor; environmental themes |
Themes and subjects
Primary themes
- Metamorphosis and bodily transformation
- Mythology reinterpreted through feminist lens
- Human-nature boundary dissolution
- The subconscious and psychological states
- Otherness, trauma, and sexual desire
- Birth, death, creation, and regeneration
- Memory and childhood (especially East Texas landscapes)
Subject matter
Figures (often female or androgynous) in surreal landscapes populated by mythological creatures, tricksters, and hybrid beings. Scenes drawn from art history, mythology, memory, and pop culture.
Recurring motifs
- Water and submersion
- Androgynous figures
- Sphinxes and mythological creatures
- Skulls / memento mori
- Tails and vestigial anatomy
- Lizards and animals
- Doppelgängers
Movements and periods
- Primary
- Contemporary figurative painting with surrealist and symbolist influences
Associated movements
- Neo-Surrealism
- Contemporary Symbolism
- Feminist figurative painting
- New Leipzig School adjacent (via LIAP residency)
Art historical lineage
Draws from the tradition of allegorical painting as advocated by the Alliance of Figurative Artists (1970s) and the New York Academy of Art tradition. Extends Symbolist painting into contemporary feminist discourse.
Techniques and mediums
- Scale
- Ranges from intimate works on paper (14-18 inches) to large-scale canvases (up to 82 x 110 inches / ~208 x 280 cm)
Process
Begins intuitively by pouring preliminary colors onto flat surfaces. Uses stochastic mark-making and loose liquid shapes as underpinnings. Works wet-into-wet. Layers oil over poured pigments, allowing paint to interrupt narrative and make room for the subconscious. Uses sketches and small paintings as preparatory studies for larger compositions.
Other mediums
- Dye on silk
- Sumi ink on rice paper
- Water-dispersed pigments with binders on canvas
- Acrylic on canvas
Primary mediums
- Oil on linen
- Oil on canvas
- Oil on polycotton
- Oil on paper
Critical Reception
Research updated
Critical reception
Overview
Glaessner receives consistent positive critical attention from respected art publications, with reviews in Art in America, Hyperallergic, Observer, Juxtapoz, Interview Magazine, and Galerie Magazine. Critics highlight her feminist reinterpretation of mythological imagery, her distinctive technique of poured pigments and layered oil, and the psychological depth of her dreamlike compositions.
Key reviews
Elizabeth Glaessner
- Year
- 2018
Notes
Major review of 'Mother Tongue' exhibition at P·P·O·W. Critic noted Glaessner 'enlivens mythological imagery with feminist urgency, using it to convey themes such as otherness, trauma, and sexual desire.' Compared to Angela Dufresne and Kyle Staver.
- Publication
- Art in America (ARTnews)
Elizabeth Glaessner's Wonderfully Weird Menagerie
- Year
- 2022
- Notes
- Review of 'Phantom Tail' at P·P·O·W. Discussed iterative and recursive thinking in her work, the destabilization of mythological hierarchies.
- Publication
- Hyperallergic
In Elizabeth Glaessner's 'Running Water,' Bodies Become Myths in Flux
- Year
- 2025
- Notes
- Review described her paintings as probing 'porous bodies, dreamscapes, and mythological archetypes as mirrors of human transformation.'
- Publication
- Observer
Preview: Elizabeth Glaessner 'Running Water' @ P·P·O·W, NYC
- Year
- 2025
- Notes
- Preview feature for Fall 2025 exhibition
- Publication
- Juxtapoz
Elizabeth Glaessner, Running Water
- Year
- 2025
- Notes
- Described the exhibition as transforming the gallery into 'a saturated dreamscape' channeling childhood memories of bayous and rivers.
- Publication
- Air Mail
View 5 more records
Metaphorical Births and Exorcisms with Elizabeth Glaessner
- Year
- 2025
- Notes
- Studio interview discussing psychoanalysis, process, and materiality of oil paint.
- Publication
- Impulse
Elizabeth Glaessner's Post-Apocalyptic Stories
- Year
- 2014
- Author
- Rachel Small
- Publication
- Interview Magazine
Perverting the Prescriptions of Womanhood
- Year
- 2016
- Notes
- Review related to 'The Woman Destroyed' group show at P·P·O·W
- Author
- Julia Friedman
- Publication
- Hyperallergic
Artist Elizabeth Glaessner Creates Dreamy, Emotionally-Charged Landscapes
- Year
- 2022
- Publication
- Galerie Magazine
DeBeauvoir's Inheritors: 'The Woman Destroyed' at P·P·O·W
- Year
- 2016
- Author
- Katelynn Mills
- Publication
- artcritical
Publications and media
Recent media trajectory
Significant uptick in press attention in 2025 with multiple reviews/previews for 'Running Water' (Observer, Juxtapoz, Air Mail, Impulse). Listed in Observer's 'Must-See Gallery Shows in New York' for Fall 2025.
Publications featured in
- Art in America / ARTnews
- Hyperallergic
- Observer
- Juxtapoz
- Interview Magazine
- Galerie Magazine
- Air Mail
- Impulse
- AM New York
- Fine Art Connoisseur
- The Huffington Post
- artcritical
- Bmore Art
- Nashville Scene
- New American Paintings
- Two Coats of Paint
- ArtDaily
- Artnet News
- Creative Sugar Magazine
Gallery & Representation
Research updated
Fair presence
Scroll horizontally if needed →
| Fair | Year | Booth | Notes | Gallery |
|---|---|---|---|---|
| Art Basel Switzerland | 2025 | B10 | Featured prominently in booth presentation | P·P·O·W |
| Art Basel Switzerland | 2025 | Not supplied | Included in Perrotin's expansive booth | Perrotin |
| Art Basel Hong Kong | 2025 | 1B17 | Not supplied | P·P·O·W |
| Art Basel Hong Kong | 2022 | 1D25 | Not supplied | P·P·O·W |
| The Armory Show | 2015 | Not supplied | Mentioned in Artnet News 'Critics Picks at the Armory Show 2015' | P·P·O·W |
Representation
Primary galleries
P·P·O·W (PPOW)
- Tier
- Strong Tier 2
Notes
Long-standing representation. Four solo exhibitions (2014, 2018, 2022, 2025). Gallery is well-established in NY contemporary art scene, located at 392 Broadway.
- Location
- New York, NY (Tribeca)
- Artists context
- Gallery also represents Martin Wong, David Wojnarowicz estate, Carolee Schneemann estate — established program with strong art historical roots
- Relationship since
- 2014
Perrotin
- Tier
- Tier 1 / Blue-chip mega-gallery
Notes
Listed as represented artist on Perrotin website. Solo exhibitions in Paris (Dead Leg, 2022) and Tokyo (Head Games, 2024). Included in Perrotin's Art Basel Switzerland 2025 booth. Major career validation.
Locations
- Paris
- New York
- Tokyo
- Hong Kong
- Seoul
- Shanghai
- Los Angeles
- Artists context
- Gallery roster includes Takashi Murakami, JR, Daniel Arsham, Sophie Calle — placing Glaessner alongside significant international artists
- Relationship since
- 2021
François Ghebaly
- Tier
- Tier 2
- Notes
- First solo 'Now you're a lake' (April-May 2024) at LA space. Group show at NY space (April 2025). Provides West Coast market access.
Locations
- Los Angeles, CA
- New York, NY
- Relationship since
- 2024
Geographic reach
Notes
Rapidly expanding international footprint through multi-gallery strategy. Perrotin provides global distribution across 7+ locations. Recent inclusion in Tang Contemporary Art (Beijing) group show signals growing Asian market presence.
Primary markets
- New York
- Paris
- Los Angeles
- Tokyo
Emerging markets
- Hong Kong
- Beijing
- Seoul
- Stockholm
- London
Sources & research notes
Egon’s artist research combines historical auction records, recent sales, institutional history, critical reception and gallery information. Researched auction records and auction highlights are identified separately.
Read prices with their work, sale date, currency and stated basis. Egon’s market assessments are distinct from reported auction results.
Reference: Egon, “Elizabeth Glaessner: Market Intelligence & Investment Profile.”
Research bibliography · 28 sources
Sources recorded for this artist’s research. This bibliography does not assign every source to an individual claim.
- Elizabeth Glaessner - P·P·O·W Gallery
- Elizabeth Glaessner - Perrotin
- Elizabeth Glaessner - François Ghebaly
- Elizabeth Glaessner Biography - P·P·O·W Gallery
- Elizabeth Glaessner - MutualArt
- Elizabeth Glaessner Biography - MutualArt
- Elizabeth Glaessner - Phantom Tail - PPOW Exhibition
- Elizabeth Glaessner: Now you're a lake - François Ghebaly
- Elizabeth Glaessner - Running Water - PPOW Exhibition
- Phantom Tail Press Release - PPOW
- Elizabeth Glaessner - Artnet
- Elizabeth Glaessner - Artsy
- Elizabeth Glaessner Bacchanal - Phillips
- Phillips 20th Century & Contemporary Art Day Sale November 2023
- Elizabeth Glaessner's Wonderfully Weird Menagerie - Hyperallergic
- Elizabeth Glaessner - Art in America Review
- Elizabeth Glaessner Four Legs in a Garden - Consortium Museum
- Art Basel Booth B10 - PPOW
- Art Basel Hong Kong Booth 1B16 - PPOW
- Art Basel Hong Kong Booth 1D25 - PPOW
- Elizabeth Glaessner Running Water - Air Mail - PPOW
- Preview: Elizabeth Glaessner Running Water - Juxtapoz
- Elizabeth Glaessner - Ocula
- When Daylight Descends - Tang Contemporary Art
- Perrotin Art Basel 2025 Press Release
- Elizabeth Glaessner: Head Games - Perrotin Tokyo - PPOW
- Elizabeth Glaessner Press Reviews - PPOW
- Elizabeth Glaessner - Phillips
Research updates by section
These dates show when Egon’s research sections were updated. Source retrieval dates, where supplied above, refer to individual evidence notes.
Ranking updated . Research sections follow their own update dates.
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