Koak
Growth#69
Egon Investment Scores
Liquidity
5/10
How easily works can be bought and sold at auction
Institutional
7/10
Museum collections, biennials, and institutional recognition
Momentum
8/10
Recent price trends, gallery moves, and market buzz
Discovery
1/10
Undervaluation opportunity relative to peer artists
Risk
3/10
Investment risk factors — higher means more volatile
Market Position
- Pricing
- Record Sale
- $97,298 USD (How to Forget, 2018, Sotheby's Hong Kong, October 2023)
- Market Segment
- Emerging to mid-tier contemporary market ($10k-$100k range based on auction data)
- Pricing Context
- Primary market controlled by galleries (Perrotin, Union Pacific); secondary market developing with Asian collector interest (Hong Kong sales)
- Price Trajectory
- Strong upward momentum 2021-2023, with Hong Kong auction establishing new price tier
- Auction Range Overall
- $245 - $97,298 USD
- Primary Market Observed
- Gallery works listed as 'Price on Request' (Perrotin), small prints/multiples €1,000 (Composition Gallery)
- Liquidity
- Availability
- Primary market through Perrotin and Union Pacific; secondary market sporadic
- Market Depth
- Thin but growing - limited resale activity suggests strong collector retention
- Score Assessment
- Moderate liquidity with 6-8 auction lots annually
- Geographic Concentration
- Strong Asian secondary market presence (Hong Kong, Shanghai), US primary market (San Francisco)
- Collector Base
- Known Collectors
- Private collection in Singapore owns 'Breaking the Prairie' (2018)
- Collector Profile
- Contemporary feminist art collectors, Asian collectors (evidenced by Hong Kong auction activity and Singapore collection), West Coast collectors
- Institutional Collectors
- Berkeley Art Museum and Pacific Film Archive (BAMPFA), Kemper Museum of Contemporary Art, Musée des Beaux-Arts d'Angers, de Young Museum
- Auction History
- Record Price
- Koak's work has been offered at auction multiple times, with realized prices ranging from $245 USD to $97,298 USD, with the record price of $97,298 USD for 'How to Forget' sold at Sotheby's Hong Kong in 2023.
- Auction Frequency
- Approximately 6-8 lots annually (2021-2025)
- Total Lots Tracked
- 22 artworks at auction per MutualArt; 18 results on Artnet
- Auction Activity 2021 2023
Title Year Sale Date Status How to Forget | 如何忘記 2018 October 6, 2023 Sold Haven 2018 September 29, 2023 Auction Closed All Love Is Equal, Female Comes In Many... 2019 December 7, 2022 Auction Closed The Trade 2019 October 14, 2022 Auction Closed All Love Is Equal, Female Comes In Many... 2019 March 30, 2022 Auction Closed Newport 2018 March 9, 2022 Auction Closed To Be Touched, 2020 2020 October 19, 2021 Auction Closed Waking 2017 February 18, 2021 Auction Closed - Recent Auction Activity 2024 2025
Title Year Result Sale Date Status Little Tuber 2022 Not disclosed November 20, 2025 Auction Closed Breathless 2019 Not disclosed May 21, 2025 Auction Closed Stillness; and We Hot 2019 Not disclosed October 24, 2024 Auction Closed 1. The Axis/2. Casper 2022-2023 Not disclosed September 13, 2024 Auction Closed Newport 2018 Not disclosed June 24, 2024 Auction Closed Promenade 2022 Not disclosed May 29, 2024 Auction Closed
- Market Position
- Tier
- Emerging contemporary with upward mobility
- Market Momentum
- Accelerating 2022-2025: Perrotin representation, Hauser & Wirth exhibition participation, museum group shows
- Peer Comparison
- Comic-influenced figurative painters; feminist contemporary artists; Bay Area emerging artists moving to international galleries
- Competitive Advantages
- Unique MFA in Comics background, strong institutional validation (BAMPFA, Kemper), Perrotin representation, museum exhibition history
- Investment Outlook
- Trajectory
- Positive - transition from regional to international representation
- Risk Factors
- Relatively early career (MFA 2016, active only 9 years)
- Limited auction history compared to established artists
- Price discovery still developing - most recent auction results undisclosed
- Dependent on continued gallery support and exhibition opportunities
- Opportunities
- Growing feminist art market segmentComic-influenced fine art gaining institutional acceptanceAsian collector market expansionMuseum acquisitions likely to increase with major exhibitions
- Key Indicators
- Perrotin representation signals market confidence
- Hauser & Wirth exhibition inclusion (2025) validates rising status
- Strong Asian market interest (Hong Kong auction record)
- Museum acquisitions and exhibitions building institutional validation
- Limited secondary market supply suggests strong collector retention
Institutional Presence
- Exhibitions
- Solo Exhibitions
Title Year Venue Location Significance The Window Set 2025 Charleston in Lewes UK Historic UK venue exhibition Lake Marghrete 2024 Perrotin Paris, France Major international gallery, Paris location Letter to Myself (when the world is on fire) 2023 Altman Siegel San Francisco, USA — The Driver 2022 Perrotin Hong Kong First Perrotin solo exhibition, Asian market entry Return to Feeling 2020 Altman Siegel San Francisco, USA — Holding Breath 2019 Union Pacific London, UK First London solo exhibition - Exhibition Trajectory
- Strong upward trajectory from San Francisco regional shows (2017-2020) to international venues with Perrotin (2022-2024) and prestigious group exhibitions (Hauser & Wirth 2025)
- Selected Group Exhibitions
Title Year Venue Location Interior Motives 2025 Hauser & Wirth London, UK Dénonce-moi 2025 dépendance Brussels, Belgium Infinite Regress: Mystical Abstraction from the Permanent Collection and Beyond 2024 Kemper Museum of Contemporary Art Kansas City, Missouri, USA Dust Piles Us Up 2023 Suhe Haus Shanghai, China I've Got a Feeling. The 5 Senses in Contemporary Art 2023 Musée des Beaux-Arts Angers, France Crafting Radicality: Bay Area Artists from the Svane Gift 2023 de Young Museum San Francisco, USA I'm Stepping High, I'm Drifting, and There I Go Leaping 2022 XIAO Museum Rizhao, China Familiars 2022 Et. Al Gallery San Francisco, USA New Time: Art and Feminisms in the 21st Century 2021 Berkeley Art Museum and Pacific Film Archive (BAMPFA) Berkeley, California, USA 100 Drawings from Now 2020 The Drawing Center New York City, USA Female Gaze 2017 Museum of Sex New York City, USA
- Publications
- Press Releases
- Year
- 2022
- Title
- Archetypes of the Self in Living Color
- Context
- Perrotin press release for The Driver exhibition
- Exhibition Catalogs
- Year
- 2021
- Title
- New Time: Art and Feminisms in the 21st Century
- Publisher
- University of California, Berkeley Art Museum and Pacific Film Archive
- Significance
- Major museum exhibition catalog with scholarly essays
- Museum Collections
- Confirmed
Institution Location Significance Exhibition History Kemper Museum of Contemporary Art Kansas City, Missouri, USA Work included in permanent collection exhibition Exhibited in 'Infinite Regress: Mystical Abstraction from the Permanent Collection and Beyond' (2024) Musée des Beaux-Arts d'Angers Angers, France International European museum validation Exhibited in 'I've Got a Feeling. The 5 Senses in Contemporary Art' (2023) de Young Museum San Francisco, California, USA Major West Coast museum, part of Fine Arts Museums of San Francisco Exhibited in 'Crafting Radicality: Bay Area Artists from the Svane Gift' (2023) Berkeley Art Museum and Pacific Film Archive (BAMPFA) Berkeley, California, USA Major feminist art survey at prestigious university museum Exhibited in 'New Time: Art and Feminisms in the 21st Century' (2021) - Validation Strength
- Strong institutional validation with 4 confirmed museum collections including major US and European institutions
- Awards and Recognition
- Fellowships
- Year
- 2020
- Award
- Eureka Fellowship
- Location
- San Francisco, USA
- Organization
- Fleishhacker Foundation
- Significance
- Prestigious Bay Area arts funding
- Residencies
Year Location Program 2022 Albuquerque, New Mexico, USA Tamarind Institute Residency 2018 Minnesota Street Project, San Francisco, USA Liquitex Residency
Career & Biography
- Identity
- Name
- Koak
- Based
- San Francisco, California (Dogpatch neighborhood)
- Gender
- Female
- Birth Year
- 1981
- Nationality
- American
- Alternative Names
- Anna Koak
- Education
- Bfa
- California College of the Arts, San Francisco - BFA in Individualized Studies (2011)
- MFA
- California College of the Arts, San Francisco - MFA in Comics (2016)
- Significance
- Unique MFA in Comics distinguishes her from traditional fine art training
- Career Timeline
- Early Career
- 2011-2016: BFA studies, early exhibitions in San Francisco galleries (Et al., BBQLA)
- Current Status
- 2023-2025: Multiple solo exhibitions with Perrotin (Paris 2024), Union Pacific, and Hauser & Wirth group exhibition (2025)
- Mid Career Development
- 2017-2019: Solo exhibitions at Union Pacific London, group shows at Museum of Sex NYC, Laura Bartlett Gallery London
- Major Gallery Expansion
- 2022: Perrotin representation begins with solo show The Driver in Hong Kong
- Gallery Representation Shift
- 2019-2020: Represented by Altman Siegel (San Francisco), solo exhibitions Return to Feeling (2020)
- Studio Practice
- Koak works in a studio in San Francisco's Dogpatch neighborhood, an industrial space with wall of windows that blankets the space with light, illuminating the rich colors and textures of her paintings and drawings. Much of Koak's drafting happens before she applies paint to canvas - each work results from sketches she first executes, often scanning those sketches and drawing over reproductions, establishing many layers, before projecting the design onto canvas where she reworks or enlarges it.
- Personal Context
- Koak's partner Kevin Krueger ran the San Francisco gallery Alter Space (opened 2011, now closed), and watching him work gave her appreciation for how galleries run and the dedication required.
- Biographical Narrative
- Born in Michigan and raised in Santa Cruz, Koak moved to San Francisco to pursue her studies at the California College of the Arts, ultimately earning an MFA in comics. As a child, she was sick frequently and stayed home from school drawing from comics, with the women of X-Men (especially Storm) as her favorites. As a teenager, she started making zines that she sold at Caffe Pergolesi, a coffee shop in Santa Cruz, and had her first exhibition there. While in school, the artist began working on a comic book called Sickbed Blues, which eventually expanded thousands of pages.
Artistic Profile
- Style
- Line Quality
- Although the sinuous, graphic nature of the lines appears spontaneous and natural, it is actually carefully constructed, with perfectly delineated contours that rhythmically and harmoniously converge to express the state of the subject.
- Distinctiveness
- Koak works across mediums to render images of figures imbued with complex interiority, resisting widely held assumptions about coherence of the self in favor of a more porous understanding of subjectivity.
- Visual Characteristics
- Working much larger than comic-book scale, Koak makes expansive canvases in which her simple but expressive lines stand out against a muted, Disneyesque color palette, with women who are deeply emotive.
- Evolution
- Early Work
- Early work very much drawn from own experiences as act of therapy, dealing with unpacking difficulties of being a teenager through zines and exhibitions
- Mature Style
- Transition from personal narrative to broader explorations of female archetypes and societal expectations
- Scale Evolution
- From comic book scale and zines to expansive canvases and large-scale paintings
- Recent Development
- Bodies of work tend to coalesce around ideas that initially emerged on fringes of previous projects but gain form and momentum when placed in relation to each other
- Influences
- Literary
- Susanne Langer's philosophical treatise on nature of art as communication
- Personal
- Personal experiences with illness, teenage struggles, themes of power and vulnerability
- Animation
- Japanese and European animation aesthetics
- Art Historical
- Feminist art movement, challenging male gaze in traditional portraiture
- Popular Culture
- Comic books, especially X-Men women characters, particularly Storm
- Visual Language
- Color Palette
- Muted, Disneyesque palette; deep blues; lush, saturated colors; soft, rounded shapes
- Emotional Tone
- Canvases saturated in mood, denoting various emotive timbres through deployment of color, line quality, spatial configuration, and gesture
- Narrative Quality
- Open-ended narratives posed by complex emotional states enable viewers to connect with works through their own associations
- Compositional Approach
- Figures shown within interior settings, represented in various states of emotional and physical absorption, either alone or in embrace, with sweeping lines delineating women in dusk-lit rooms or contorted bodies.
- Themes and Subjects
- Thematic Focus
- Societal expectations of women, in particular propriety and domestic labor
- Feminine figures and felines as vehicles for expression communicating vast range of behaviors and emotional states, archetypes of self developed throughout life or internalized by experience
- Refusing reductive categorization of emotions, focusing on embodying vulnerability that makes self-possession and human connection possible
- Touch and sensorial experience
- Anxiety and stress represented through varied tones
- Female agency and interiority
- Primary Subjects
- Female figures, felines (cats), domestic interiors, landscapes
- Conceptual Framework
- Struggle of delicacy vs. strength, and subtlety vs. invincibility in relationship to nature, dichotomies central to Koak's practice
- Movements and Periods
- Influences
- Comic book illustration (especially X-Men, particularly Storm)Japanese animation and brush paintingEuropean animationWest Coast contemporary artFeminist art movement
- Historical Context
- Despite graphic, comic-inspired style, Koak's paintings expand thematically far beyond traditional boundaries of the medium in the United States, drawing on elements of Japanese and European animation.
- Primary Classification
- Contemporary feminist figurative painting
- Techniques and Mediums
- Sculpture
- Bronze sculpture (e.g., flower being bathed), wood constructions with plexiglass
- Printmaking
- Lithography (Tamarind Institute collaboration 2022)
- Scale Range
- Small works on paper (11 3/4 x 8 1/2 in.) to large canvases (95 x 68 in., 66 1/2 x 50 1/16 in. diptychs)
- Primary Mediums
- Koak uses an array of materials including acrylic, ink, chalk, graphite, and oil to render her spare, bright, and wide-eyed figures.
- Painting Surfaces
- Linen mounted to panel, stretched linen, natural rag paper
- Specific Materials
- Flashe, acrylic, oil, graphite, pencil, pastel, chalk, casein, charcoal, pigment
Critical Reception
- Media Presence
- Social Media
- Instagram presence mentioned
- Artist Website
- koak.net
- Press Coverage
- Featured in Juxtapoz, Art Viewer, ArtDaily, FAD Magazine
- Art World Platforms
- ArtsyArtnetOculaArtspaceMutualArtContemporary Art Library
- Critical Reception
- Critical Themes
- Feminist reclamation of female representationComic book influence in fine art contextEmotional complexity and vulnerabilityChallenging patriarchal art historical tropesDomestic spaces as sites of agency and tension
- Major Publications
Date Article Title Publication Not specified Koak: Bodies in Muse and Motion Juxtapoz Magazine March 7, 2024 Artist Koak's New Show is a Study in Contrasts Nob Hill Gazette July 2025 Summer Exhibition in London: Koak, Cece Philips and Ding Shilun at Hauser & Wirth London FAD Magazine - Critical Positioning
- Traditional museum portraits of women (bathing, dancing, reclining) were created by men, for men, with idealized depictions making viewers resentful of this historical weight. Koak's intention is the opposite - to make something that sparks the feeling of life in the viewer, to empower women, not capture and suppress them for personal gain, to give back something this world has taken away.
- Scholarly Attention
- Academic Context
- Work situated within contemporary feminist art discourse, comic book studies, and West Coast contemporary art
- Museum Publications
- Year
- 2021
- Context
- Inclusion in major feminist art survey
- Institution
- BAMPFA
- Publication
- New Time: Art and Feminisms in the 21st Century catalog
Gallery & Representation
- Fair Presence
- Documented
- Perrotin booth presence expected at major fairs (Art Basel, Frieze, etc.) though specific participation not documented in search
- Regional Fairs
- Likely San Francisco Art Fair, EXPO Chicago through gallery representation
- Representation
- Secondary Market
- Gallery
- Composition Gallery
- Pricing Observed
- €1,000 for prints/multiples
- Primary Galleries
Location Exhibitions Gallery — Lake Marghrete (Paris, 2024), The Driver (Hong Kong, 2022) Perrotin London, UK The Window Set at Charleston in Lewes (2025), Holding Breath (2019) Union Pacific San Francisco, USA Letter to Myself (when the world is on fire) (2023), Return to Feeling (2020) Altman Siegel
- Geographic Reach
- Primary Markets
- San Francisco Bay Area, London, Paris, Hong Kong
- Market Development
- Strong West Coast US base expanding internationally through Perrotin (Asia, Europe)
- Exhibition Presence
- USA (San Francisco, New York, Los Angeles), UK (London), France (Paris, Angers), China (Hong Kong, Shanghai, Rizhao), Belgium (Brussels)
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