Egon 100 / Koak

Koak

American b. 1981 Egon Score: 32.9
Growth
#69
Koak
Koak

Egon Investment Scores

Liquidity
5/10
How easily works can be bought and sold at auction
Institutional
7/10
Museum collections, biennials, and institutional recognition
Momentum
8/10
Recent price trends, gallery moves, and market buzz
Discovery
1/10
Undervaluation opportunity relative to peer artists
Risk
3/10
Investment risk factors — higher means more volatile

Market Position

Pricing
Record Sale
$97,298 USD (How to Forget, 2018, Sotheby's Hong Kong, October 2023)
Market Segment
Emerging to mid-tier contemporary market ($10k-$100k range based on auction data)
Pricing Context
Primary market controlled by galleries (Perrotin, Union Pacific); secondary market developing with Asian collector interest (Hong Kong sales)
Price Trajectory
Strong upward momentum 2021-2023, with Hong Kong auction establishing new price tier
Auction Range Overall
$245 - $97,298 USD
Primary Market Observed
Gallery works listed as 'Price on Request' (Perrotin), small prints/multiples €1,000 (Composition Gallery)
Liquidity
Availability
Primary market through Perrotin and Union Pacific; secondary market sporadic
Market Depth
Thin but growing - limited resale activity suggests strong collector retention
Score Assessment
Moderate liquidity with 6-8 auction lots annually
Geographic Concentration
Strong Asian secondary market presence (Hong Kong, Shanghai), US primary market (San Francisco)
Collector Base
Known Collectors
Private collection in Singapore owns 'Breaking the Prairie' (2018)
Collector Profile
Contemporary feminist art collectors, Asian collectors (evidenced by Hong Kong auction activity and Singapore collection), West Coast collectors
Institutional Collectors
Berkeley Art Museum and Pacific Film Archive (BAMPFA), Kemper Museum of Contemporary Art, Musée des Beaux-Arts d'Angers, de Young Museum
Auction History
Record Price
Koak's work has been offered at auction multiple times, with realized prices ranging from $245 USD to $97,298 USD, with the record price of $97,298 USD for 'How to Forget' sold at Sotheby's Hong Kong in 2023.
Auction Frequency
Approximately 6-8 lots annually (2021-2025)
Total Lots Tracked
22 artworks at auction per MutualArt; 18 results on Artnet
Auction Activity 2021 2023
TitleYearSale DateStatus
How to Forget | 如何忘記2018October 6, 2023Sold
Haven2018September 29, 2023Auction Closed
All Love Is Equal, Female Comes In Many...2019December 7, 2022Auction Closed
The Trade2019October 14, 2022Auction Closed
All Love Is Equal, Female Comes In Many...2019March 30, 2022Auction Closed
Newport2018March 9, 2022Auction Closed
To Be Touched, 20202020October 19, 2021Auction Closed
Waking2017February 18, 2021Auction Closed
Recent Auction Activity 2024 2025
TitleYearResultSale DateStatus
Little Tuber2022Not disclosedNovember 20, 2025Auction Closed
Breathless2019Not disclosedMay 21, 2025Auction Closed
Stillness; and We Hot2019Not disclosedOctober 24, 2024Auction Closed
1. The Axis/2. Casper2022-2023Not disclosedSeptember 13, 2024Auction Closed
Newport2018Not disclosedJune 24, 2024Auction Closed
Promenade2022Not disclosedMay 29, 2024Auction Closed
Market Position
Tier
Emerging contemporary with upward mobility
Market Momentum
Accelerating 2022-2025: Perrotin representation, Hauser & Wirth exhibition participation, museum group shows
Peer Comparison
Comic-influenced figurative painters; feminist contemporary artists; Bay Area emerging artists moving to international galleries
Competitive Advantages
Unique MFA in Comics background, strong institutional validation (BAMPFA, Kemper), Perrotin representation, museum exhibition history
Investment Outlook
Trajectory
Positive - transition from regional to international representation
Risk Factors
  • Relatively early career (MFA 2016, active only 9 years)
  • Limited auction history compared to established artists
  • Price discovery still developing - most recent auction results undisclosed
  • Dependent on continued gallery support and exhibition opportunities
Opportunities
Growing feminist art market segmentComic-influenced fine art gaining institutional acceptanceAsian collector market expansionMuseum acquisitions likely to increase with major exhibitions
Key Indicators
  • Perrotin representation signals market confidence
  • Hauser & Wirth exhibition inclusion (2025) validates rising status
  • Strong Asian market interest (Hong Kong auction record)
  • Museum acquisitions and exhibitions building institutional validation
  • Limited secondary market supply suggests strong collector retention

Institutional Presence

Exhibitions
Solo Exhibitions
TitleYearVenueLocationSignificance
The Window Set2025Charleston in LewesUKHistoric UK venue exhibition
Lake Marghrete2024PerrotinParis, FranceMajor international gallery, Paris location
Letter to Myself (when the world is on fire)2023Altman SiegelSan Francisco, USA
The Driver2022PerrotinHong KongFirst Perrotin solo exhibition, Asian market entry
Return to Feeling2020Altman SiegelSan Francisco, USA
Holding Breath2019Union PacificLondon, UKFirst London solo exhibition
Exhibition Trajectory
Strong upward trajectory from San Francisco regional shows (2017-2020) to international venues with Perrotin (2022-2024) and prestigious group exhibitions (Hauser & Wirth 2025)
Selected Group Exhibitions
TitleYearVenueLocation
Interior Motives2025Hauser & WirthLondon, UK
Dénonce-moi2025dépendanceBrussels, Belgium
Infinite Regress: Mystical Abstraction from the Permanent Collection and Beyond2024Kemper Museum of Contemporary ArtKansas City, Missouri, USA
Dust Piles Us Up2023Suhe HausShanghai, China
I've Got a Feeling. The 5 Senses in Contemporary Art2023Musée des Beaux-ArtsAngers, France
Crafting Radicality: Bay Area Artists from the Svane Gift2023de Young MuseumSan Francisco, USA
I'm Stepping High, I'm Drifting, and There I Go Leaping2022XIAO MuseumRizhao, China
Familiars2022Et. Al GallerySan Francisco, USA
New Time: Art and Feminisms in the 21st Century2021Berkeley Art Museum and Pacific Film Archive (BAMPFA)Berkeley, California, USA
100 Drawings from Now2020The Drawing CenterNew York City, USA
Female Gaze2017Museum of SexNew York City, USA
Publications
Press Releases
Year
2022
Title
Archetypes of the Self in Living Color
Context
Perrotin press release for The Driver exhibition
Exhibition Catalogs
Year
2021
Title
New Time: Art and Feminisms in the 21st Century
Publisher
University of California, Berkeley Art Museum and Pacific Film Archive
Significance
Major museum exhibition catalog with scholarly essays
Museum Collections
Confirmed
InstitutionLocationSignificanceExhibition History
Kemper Museum of Contemporary ArtKansas City, Missouri, USAWork included in permanent collection exhibitionExhibited in 'Infinite Regress: Mystical Abstraction from the Permanent Collection and Beyond' (2024)
Musée des Beaux-Arts d'AngersAngers, FranceInternational European museum validationExhibited in 'I've Got a Feeling. The 5 Senses in Contemporary Art' (2023)
de Young MuseumSan Francisco, California, USAMajor West Coast museum, part of Fine Arts Museums of San FranciscoExhibited in 'Crafting Radicality: Bay Area Artists from the Svane Gift' (2023)
Berkeley Art Museum and Pacific Film Archive (BAMPFA)Berkeley, California, USAMajor feminist art survey at prestigious university museumExhibited in 'New Time: Art and Feminisms in the 21st Century' (2021)
Validation Strength
Strong institutional validation with 4 confirmed museum collections including major US and European institutions
Awards and Recognition
Fellowships
Year
2020
Award
Eureka Fellowship
Location
San Francisco, USA
Organization
Fleishhacker Foundation
Significance
Prestigious Bay Area arts funding
Residencies
YearLocationProgram
2022Albuquerque, New Mexico, USATamarind Institute Residency
2018Minnesota Street Project, San Francisco, USALiquitex Residency

Career & Biography

Identity
Name
Koak
Based
San Francisco, California (Dogpatch neighborhood)
Gender
Female
Birth Year
1981
Nationality
American
Alternative Names
Anna Koak
Education
Bfa
California College of the Arts, San Francisco - BFA in Individualized Studies (2011)
MFA
California College of the Arts, San Francisco - MFA in Comics (2016)
Significance
Unique MFA in Comics distinguishes her from traditional fine art training
Career Timeline
Early Career
2011-2016: BFA studies, early exhibitions in San Francisco galleries (Et al., BBQLA)
Current Status
2023-2025: Multiple solo exhibitions with Perrotin (Paris 2024), Union Pacific, and Hauser & Wirth group exhibition (2025)
Mid Career Development
2017-2019: Solo exhibitions at Union Pacific London, group shows at Museum of Sex NYC, Laura Bartlett Gallery London
Major Gallery Expansion
2022: Perrotin representation begins with solo show The Driver in Hong Kong
Gallery Representation Shift
2019-2020: Represented by Altman Siegel (San Francisco), solo exhibitions Return to Feeling (2020)
Studio Practice
Koak works in a studio in San Francisco's Dogpatch neighborhood, an industrial space with wall of windows that blankets the space with light, illuminating the rich colors and textures of her paintings and drawings. Much of Koak's drafting happens before she applies paint to canvas - each work results from sketches she first executes, often scanning those sketches and drawing over reproductions, establishing many layers, before projecting the design onto canvas where she reworks or enlarges it.
Personal Context
Koak's partner Kevin Krueger ran the San Francisco gallery Alter Space (opened 2011, now closed), and watching him work gave her appreciation for how galleries run and the dedication required.
Biographical Narrative
Born in Michigan and raised in Santa Cruz, Koak moved to San Francisco to pursue her studies at the California College of the Arts, ultimately earning an MFA in comics. As a child, she was sick frequently and stayed home from school drawing from comics, with the women of X-Men (especially Storm) as her favorites. As a teenager, she started making zines that she sold at Caffe Pergolesi, a coffee shop in Santa Cruz, and had her first exhibition there. While in school, the artist began working on a comic book called Sickbed Blues, which eventually expanded thousands of pages.

Artistic Profile

Style
Line Quality
Although the sinuous, graphic nature of the lines appears spontaneous and natural, it is actually carefully constructed, with perfectly delineated contours that rhythmically and harmoniously converge to express the state of the subject.
Distinctiveness
Koak works across mediums to render images of figures imbued with complex interiority, resisting widely held assumptions about coherence of the self in favor of a more porous understanding of subjectivity.
Visual Characteristics
Working much larger than comic-book scale, Koak makes expansive canvases in which her simple but expressive lines stand out against a muted, Disneyesque color palette, with women who are deeply emotive.
Evolution
Early Work
Early work very much drawn from own experiences as act of therapy, dealing with unpacking difficulties of being a teenager through zines and exhibitions
Mature Style
Transition from personal narrative to broader explorations of female archetypes and societal expectations
Scale Evolution
From comic book scale and zines to expansive canvases and large-scale paintings
Recent Development
Bodies of work tend to coalesce around ideas that initially emerged on fringes of previous projects but gain form and momentum when placed in relation to each other
Influences
Literary
Susanne Langer's philosophical treatise on nature of art as communication
Personal
Personal experiences with illness, teenage struggles, themes of power and vulnerability
Animation
Japanese and European animation aesthetics
Art Historical
Feminist art movement, challenging male gaze in traditional portraiture
Popular Culture
Comic books, especially X-Men women characters, particularly Storm
Visual Language
Color Palette
Muted, Disneyesque palette; deep blues; lush, saturated colors; soft, rounded shapes
Emotional Tone
Canvases saturated in mood, denoting various emotive timbres through deployment of color, line quality, spatial configuration, and gesture
Narrative Quality
Open-ended narratives posed by complex emotional states enable viewers to connect with works through their own associations
Compositional Approach
Figures shown within interior settings, represented in various states of emotional and physical absorption, either alone or in embrace, with sweeping lines delineating women in dusk-lit rooms or contorted bodies.
Themes and Subjects
Thematic Focus
  • Societal expectations of women, in particular propriety and domestic labor
  • Feminine figures and felines as vehicles for expression communicating vast range of behaviors and emotional states, archetypes of self developed throughout life or internalized by experience
  • Refusing reductive categorization of emotions, focusing on embodying vulnerability that makes self-possession and human connection possible
  • Touch and sensorial experience
  • Anxiety and stress represented through varied tones
  • Female agency and interiority
Primary Subjects
Female figures, felines (cats), domestic interiors, landscapes
Conceptual Framework
Struggle of delicacy vs. strength, and subtlety vs. invincibility in relationship to nature, dichotomies central to Koak's practice
Movements and Periods
Influences
Comic book illustration (especially X-Men, particularly Storm)Japanese animation and brush paintingEuropean animationWest Coast contemporary artFeminist art movement
Historical Context
Despite graphic, comic-inspired style, Koak's paintings expand thematically far beyond traditional boundaries of the medium in the United States, drawing on elements of Japanese and European animation.
Primary Classification
Contemporary feminist figurative painting
Techniques and Mediums
Sculpture
Bronze sculpture (e.g., flower being bathed), wood constructions with plexiglass
Printmaking
Lithography (Tamarind Institute collaboration 2022)
Scale Range
Small works on paper (11 3/4 x 8 1/2 in.) to large canvases (95 x 68 in., 66 1/2 x 50 1/16 in. diptychs)
Primary Mediums
Koak uses an array of materials including acrylic, ink, chalk, graphite, and oil to render her spare, bright, and wide-eyed figures.
Painting Surfaces
Linen mounted to panel, stretched linen, natural rag paper
Specific Materials
Flashe, acrylic, oil, graphite, pencil, pastel, chalk, casein, charcoal, pigment

Critical Reception

Media Presence
Social Media
Instagram presence mentioned
Artist Website
koak.net
Press Coverage
Featured in Juxtapoz, Art Viewer, ArtDaily, FAD Magazine
Art World Platforms
ArtsyArtnetOculaArtspaceMutualArtContemporary Art Library
Critical Reception
Critical Themes
Feminist reclamation of female representationComic book influence in fine art contextEmotional complexity and vulnerabilityChallenging patriarchal art historical tropesDomestic spaces as sites of agency and tension
Major Publications
DateArticle TitlePublication
Not specifiedKoak: Bodies in Muse and MotionJuxtapoz Magazine
March 7, 2024Artist Koak's New Show is a Study in ContrastsNob Hill Gazette
July 2025Summer Exhibition in London: Koak, Cece Philips and Ding Shilun at Hauser & Wirth LondonFAD Magazine
Critical Positioning
Traditional museum portraits of women (bathing, dancing, reclining) were created by men, for men, with idealized depictions making viewers resentful of this historical weight. Koak's intention is the opposite - to make something that sparks the feeling of life in the viewer, to empower women, not capture and suppress them for personal gain, to give back something this world has taken away.
Scholarly Attention
Academic Context
Work situated within contemporary feminist art discourse, comic book studies, and West Coast contemporary art
Museum Publications
Year
2021
Context
Inclusion in major feminist art survey
Institution
BAMPFA
Publication
New Time: Art and Feminisms in the 21st Century catalog

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