Egon 100 / Manuela Caicedo

Manuela Caicedo

Colombian b. 1993 Egon Score: 30.0
Discovery
#95
Manuela Caicedo
Manuela Caicedo
Manuela Caicedo

Egon Investment Scores

Liquidity
1/10
How easily works can be bought and sold at auction
Institutional
4/10
Museum collections, biennials, and institutional recognition
Momentum
5/10
Recent price trends, gallery moves, and market buzz
Discovery
2/10
Undervaluation opportunity relative to peer artists
Risk
5/10
Investment risk factors — higher means more volatile

Market Position

Price Range
Note
Primary market only — no public pricing available. Contact Galeria Belard (Lisbon) for current pricing. Work includes large-scale oil paintings (e.g., 48.125 x 60 inches) and drawing-based works.
Historical
No secondary market price history
Current Estimate
Typical emerging NYAA MFA Chubb Fellow range: est. $2,000–$15,000 USD for works on paper/smaller canvases; $8,000–$30,000 for larger canvases (estimated based on peer comparables at similar stage)
Collector Base
Emerging — collectors likely include institutional buyers in Colombia, Portugal/Europe, and New York emerging art circles; Chubb/NYAA network collectors
Market Segment
Emerging figurative/interdisciplinary painting; Latin American contemporary art market (growing collector interest in Colombian artists)
Primary Market
Gallery
Galeria Belard
Location
Rua Rodrigo da Fonseca, 1, Lisbon, Portugal
Pricing Note
Contact gallery for current pricing; prices not publicly disclosed
Auction History
No public auction records found in any major database (Christie's, Sotheby's, Phillips, Artnet, Artprice). Artist is in the first year post-MFA (2024) with primary market activity only.
Market Liquidity
Market Depth
Very thin; gallery-controlled primary market
Sell Through Rate
Unknown — primary market only
Annual Trading Volume
Not applicable — no secondary market
Peer Comparables
Other recent NYAA Chubb Fellows at early-career stage who gained gallery representation; Colombian emerging artists entering international circuits (ARTBO exposure)
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Investment Outlook
Very early stage. Key catalysts for appreciation: (1) active Chubb Fellowship year 2025, (2) ARTBO Salas exposure in Colombia's primary art fair, (3) placement alongside blue-chip artists at Green Family Art Foundation, (4) Elizabeth Greenshields Grant prestige. No secondary market yet established — pure primary market acquisition opportunity. Price history will begin forming as fellowship year concludes and gallery sales expand.
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Institutional Presence

Exhibitions
TitleYearVenueLocationSignificanceType
NYAA Chubb Fellows and FriendsGreen Family Art FoundationDallas, Texas, USAFeatured alongside Cecily Brown, Jenny Saville, Tracey Emin, Eric Fischl, Dana Schutz, Amy Sherald, Tschabalala Self, and other blue-chip artists; covered by GlasstireGroup exhibition
2025 Chubb Fellows Exhibition2025New York Academy of ArtNew York, USAInstitutional solo/group exhibition
ARTBO Salas2025ARTBO (Feria Internacional de Arte de Bogotá)Bogotá, ColombiaColombia's premier international art fairArt fair presentation
Art Basel Miami Beach — Chubb Lounge2024Miami Beach Convention CenterMiami Beach, Florida, USAArt fair group presentation
Group exhibitions in New York, Bogotá, and internationally
Residencies
Year
2024
Season
Summer
Program
Artist Residency — University of Notre Dame Global Centre at Kylemore
Location
Kylemore Abbey, County Galway, Ireland
Partners
Jointly operated by Notre Dame, NYAA, and Interface Studio
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Awards Fellowships
InstitutionYearSignificanceAward
New York Academy of Art / Chubb Insurance2025Highest honor NYAA can bestow on graduates; includes studio accommodations, exhibition opportunities, stipend, and teaching assistant roleChubb Post-Graduate Fellowship
Elizabeth Greenshields FoundationDuring MFA (pre-2024)One of the most prestigious grants for emerging representational artists worldwide; CAD $15,000–$18,000 per grant; supports painting, sculpture, printmaking, drawingElizabeth Greenshields Grant
New York Academy of Art2024Institutional recognition of academic excellence at NYAAAcademy Scholar Award
La Pontificia Universidad Javeriana2022Top thesis distinction for debut interdisciplinary filmMeritorious Thesis Award
Biennial Triennial
No confirmed biennial/triennial participation documented to date
Museum Collections
No confirmed public museum acquisitions to date. Artist is in the first year post-MFA. Museum acquisition potential supported by institutional exhibition history.
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Career & Biography

Identity
Gender
Female
Full Name
Manuela Caicedo
Birth Year
1993
Birth Place
Bogotá, Colombia
Nationality
Colombian
Also Listed As
Manuela Caicedo Anaya
Current Location
New York, USA
Education
InstitutionLocationDegreeGraduation YearHonors
La Pontificia Universidad JaverianaBogotá, ColombiaVisual Arts (undergraduate)2022Meritorious Thesis Award for debut interdisciplinary film
New York Academy of Art (NYAA)New York, USAMFA in Painting2024Elizabeth Greenshields Grant, Academy Scholar Award
Debut Work
Year
2022
Title
Les dejé fresas en mi bolsillo mientras llega el día en que se apaguen los soles
Medium
Film incorporating painting, drawing, and performance
Translation
I Left Strawberries in My Pocket Until the Day the Suns Go Out
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Background Note
Also holds training as an Industrial Designer, noted on professional profile
Career Timeline
YearMilestone
2022Graduated from La Pontificia Universidad Javeriana with meritorious thesis for debut film blending painting, drawing, and performance
2024Completed MFA in Painting, New York Academy of Art; participated in artist residency at University of Notre Dame Global Centre, Kylemore, Ireland (summer)
2024Featured as Chubb Fellow (upcoming) at Art Basel Miami Beach (Chubb Lounge)
2025Awarded 2025 Chubb Fellowship — highest honor at NYAA; work featured at ARTBO Salas, Colombia
2025Included in major group exhibition 'NYAA Chubb Fellows and Friends' at Green Family Art Foundation, Dallas (Oct–Dec 2025), covered by Glasstire
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Studio Location
New York, USA
Influences Context
Colombian Tropical Gothic tradition (Cine de Cali, magical realism)Figurative art lineage (NYAA figurative tradition)Poetic and literary traditions (visual poetry)Performance and interdisciplinary art practice
Artistic Philosophy
Work explores the relationship between observation and imagination as a response to the 'invented world' humans have constructed. Employs concept of 'animal furioso' — a fierce inner creative force — and seeks the 'back of God,' a metaphor for finding deeper truths beyond the obvious. Themes include tenderness, resistance, cultural identity, and the politics of observation.
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Artistic Profile

Known Works
TitleYearContextMedium
Mythological Hug2023Featured in NYAA Chubb Fellowship documentationOil and pumice stone on canvas
Les dejé fresas en mi bolsillo mientras llega el día en que se apaguen los soles2022Meritorious thesis work, La Pontificia Universidad JaverianaFilm, painting, drawing, performance (interdisciplinary)
Known Series
Title
Theater of Death
Status
Active/ongoing as of 2025
Description
Ongoing series; poetic evocation of decay, ritual, and rebirth. Features fire-born dragonas emerging from tropical gothic mists. Viewer suspended between paradise and exile.
Primary Themes
Visual poetry and imagination as political/spiritual actDecay, ritual, and rebirthTropical gothic mythology (fire-born creatures, 'dragonas')Cultural identity and Colombian heritageTenderness and resistanceThe 'invented world' vs. nature and lifeThe 'politics of observation'
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Stylistic Evolution
Currently in earliest stage of post-graduate career development; evolution from film/performance thesis (2022) to painting-led practice (MFA 2024) to 'Theater of Death' mythological series (2025) suggests deepening focus on mythological figuration rooted in Colombian cultural identity
Mediums and Materials
Oil and pumice stone on canvas (signature technique — textured surface)Drawing (large-scale)Performance and installationFilm/video (debut work 2022)Poetic language incorporated into practice
Movement Associations
New Figuration (per Galeria Belard's curatorial focus)Latin American Contemporary ArtColombian Tropical Gothic aesthetic traditionInterdisciplinary / Post-medium practice
Art Historical Lineage
Places herself in a tradition of Colombian and Latin American artists exploring the boundary between the real and the mythological (Colombian Tropical Gothic, Magical Realism); NYAA figurative lineage connects her institutionally to painters like Cecily Brown, Jenny Saville
Artist Statement Excerpt
'I seek to unearth what is hidden beneath the surface, softening rigid ideas and questioning what we have accepted as true... This search is inspired by the concept of looking for the back of God, a metaphor for finding deeper truths beyond the obvious and for examining the reverse of things.'
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Style and Visual Language
Interdisciplinary figurative practice blending large-scale oil painting, drawing, and performance. Work is characterized by poetic, dreamlike imagery drawing on Colombian tropical gothic — lush, mythological, darkly luminous. Combines representational figuration with symbolic and surrealist elements. Dense with layered textures (uses pumice stone mixed with oil paint).
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Critical Reception

Publications
No monographs or major catalogue publications yet; represented on Artsy and Galeria Belard websites
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Critical Reception
Summary
Very early-career artist with growing critical visibility. Primary coverage from institutional art media (NYAA, Glasstire) rather than major art journals at this stage (expected given 2024 MFA graduation).
Artforum Review
No Artforum reviews found — expected at this career stage
Notable Coverage
Date
December 3, 2025
Article
Five-Minute Tours: 'NYAA Chubb Fellows and Friends' at the Green Family Art Foundation, Dallas
Context
Caicedo's work featured in group show reviewed/covered by leading Texas contemporary art publication
Publication
Glasstire
Scholarly Attention
No published academic papers or catalogues raisonnés yet — consistent with first year post-MFA
Press Release Language
NYAA 2025 Chubb Fellows press release describes her 'Theater of Death' series as 'a poetic evocation of decay, ritual, and rebirth—where fire-born dragonas emerge from tropical gothic mists, and the viewer is left suspended in a dream between paradise and exile.'
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Institutional Statements
NYAA Chubb Fellows and Friends exhibition statement: 'NYAA has supported generations of figurative artists, fostering deep bonds between students, professors, visiting critics, and scholars' — places Caicedo in direct lineage with major figurative painters
Positioning in Discourse
Positioned within: (1) Latin American contemporary art and Colombian Tropical Gothic aesthetic tradition; (2) NYAA figurative art lineage (same institutional network as Cecily Brown, Jenny Saville, Eric Fischl); (3) Emerging generation of artists exploring cultural identity and visual poetry
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