Egon 100 / Ding Shilun

Ding Shilun

Chinese b. 1998 Egon Score: 68.2
Discovery
#18

Egon research · Artist market profile

The market, in context.

Explore Ding Shilun’s auction history alongside the exhibitions, collections and gallery relationships behind the market.

Auction record

$147,389

The adoption of the maiden

View the sale and market context →

Gallery relationships

Representation & history

Explore representation →

Institutional research

Collections & exhibitions

Read holdings, exhibition history and their qualifications in context.

Read the institutional research →
Ding Shilun
Ding Shilun
Ding Shilun
Ding Shilun
Ding Shilun
Ding Shilun
Ding Shilun
Ding Shilun

Egon investment scores

Liquidity
3/10
How easily works can be bought and sold at auction
Institutional
7/10
Museum collections, biennials, and institutional recognition
Momentum
9/10
Recent price trends, gallery moves, and market buzz

Market position

Research updated

Auction record

$147,389
The adoption of the maiden
Phillips London, March 6, 2025

Liquidity

Score
3

Assessment

Limited but emerging liquidity. Only 3 documented auction appearances to date (2023-2025), but rapid institutional acquisition and strong gallery support suggest growing secondary market. First generation of collectors beginning to establish market

Collector base

Early stage but includes prominent Dallas collectors (Rachofsky, Nasher), institutional acquisitions, and international collectors accessing through Bernheim

Comparables

Positioning

Very early career but accelerated trajectory. Comparable to emerging figuration market segment but with unusual institutional validation for career stage

Peer artists

Hernan Bas (similar mythological figurative work, now $1M+ range), Salman Toor (RCA graduate, figurative narrative), Tschabalala Self (emerging figurative painter with institutional support)

Primary market

Gallery
Bernheim Gallery (London and Zurich)
Work sizes
Large-scale oil on linen paintings: 190-380cm width, 180-230cm height typical

Pricing note

Primary market pricing not publicly disclosed. Contact Bernheim Gallery for current availability and pricing. Based on auction results, expect primary market paintings in £20,000-£50,000+ range depending on scale and significance

Production pace
Limited - large works take 1-2 months each, suggesting annual output of 6-12 major paintings
Representation status
Primary representation

Auction history

Auction record

Title
The adoption of the maiden
Sale date
March 6, 2025
Amount USD
$147,389
Estimate GBP
£20,000 - £30,000
Sold for GBP
£114,300
Auction house
Phillips London
Performance vs estimate
Exceeded high estimate by 281%

Market trajectory

Trend
Rapidly ascending
Indicators
  • Record auction price achieved March 2025
  • Major museum solo exhibition at ICA Miami Dec 2024-Mar 2025
  • Hauser & Wirth London exhibition Aug-Sep 2025 (championing artists beyond their roster)
  • Works acquired by Nancy Nasher, Howard Rachofsky Collection, and multiple Tier 1 museums
  • Gallery representation by Bernheim (Zurich/London) with solo exhibitions 2022-2024
Total auction lots
3+ documented sales

Price range realized

Period
2023-2025
Low USD
56721
High USD
147389
Recent auction activity
Strong performance at Phillips London March 2025 evening sale, with work significantly exceeding estimates alongside Basquiat and Picasso lots

Institutional presence

Research updated

Exhibitions

Group exhibitions selected

  1. Interior Motives

    Type
    Major gallery group exhibition
    Dates
    August 22 - September 20, 2025
    Venue
    Hauser & Wirth
    Location
    London, UK
    Significance

    Exhibition with Koak and Cece Philips, part of H&W initiative championing emerging artists beyond gallery roster, produced in collaboration with Bernheim

  2. A Room Hung With Thoughts: British Painting Now

    Type
    Survey exhibition
    Dates
    2025
    Venue
    Green Family Art Foundation
    Curator
    Tom Morton
    Location
    Dallas, USA
  3. Toward the Celestial: ICA Miami's Collection at 10 Years

    Type
    Collection exhibition
    Dates
    2024
    Venue
    ICA Miami
    Location
    Miami, USA
  4. Art Basel Miami

    Note
    Duo show with Eli Ping
    Type
    Art fair presentation
    Dates
    December 2022
    Venue
    Bernheim booth
    Location
    Miami, USA

Museum collections

Private collections

  1. Location
    Dallas, USA
    Collection
    The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art
    Significance
    One of America's most important private contemporary art collections
    Collector profile
    Nancy Nasher (Nasher Sculpture Center founder family), major institutional donor
  2. Location
    Dallas, USA
    Collection
    The Rachofsky Collection
    Significance
    Howard Rachofsky's collection of ~800 contemporary works, focuses on post-war identity and global minimalism
    Collector profile
    Leading contemporary art collector, major DMA benefactor
  3. Location
    London, UK
    Collection
    Zabludowicz Collection
    Significance
    Major international contemporary art collection, also hosted solo exhibition (Invites series) 2023
    Collector profile
    Anita and Poju Zabludowicz, prominent UK collectors
  4. Location
    London, UK
    Collection
    Asymmetry Art Foundation
    Significance
    Contemporary art foundation
    Collector profile
    Institutional collection
  5. Location
    Unknown
    Collection
    Yan Du Collection
    Significance
    Private collection mentioned in critical coverage
    Collector profile
    Unknown collector

Institutional validation notes

Exceptional institutional support for career stage: solo exhibitions at ICA Miami and Guangdong Museum, acquisitions by Dallas Museum of Art, High Museum, Albertina Museum. Collected by Nancy Nasher and Howard Rachofsky. Zabludowicz Collection solo show. This level of Tier 1 museum validation is highly unusual for 27-year-old artist only 3 years post-graduate degree

Career & Biography

Research updated

Career

Age
27

Working method

Works 11am-11pm, seven days a week. Large canvases take 1-2 months to complete. Applies numerous thin layers of diluted oil paint to mimic traditional Chinese gongbi watercolor technique. Often begins by painting an eye, building composition intuitively 'piece by piece like a puzzle game'

Identity

Current locations
Lives and works between London and Guangzhou
Family background
Father is a traditional landscape painter, mother ran local art school in Guangzhou

Artistic context

Key influences

Francisco Goya (artistic hero), Gustav Klimt, Kai Althoff, Zhang Daqian, Qi Baishi, Chinese legends 'In Search of the Supernatural' (220-589 AD), Nuo opera, Japanese manga, Harry Potter, Ratatouille, fashion designers Alexander McQueen and John Galliano

Artistic Profile

Research updated

Style

Style
Figurative narrative painting with mythological and surrealist elements

Influences

Art historical

  • Francisco Goya (especially Los Caprichos prints) - stated artistic hero
  • Gustav Klimt - pictorial references
  • Kai Althoff - pictorial references
  • Zhang Daqian - ethereal landscape influence
  • Qi Baishi - traditional Chinese painting elements
  • Traditional Chinese gongbi painting technique

Literary cultural

  • 'In Search of the Supernatural' (220-589 AD Chinese legends)
  • Nuo opera and Nuoism folk religion
  • Chinese folklore and mythology
  • Japanese manga and contemporary comics
  • Harry Potter (Voldemort's wand references)
  • Ratatouille (fairy imagery)
  • Alexander McQueen and John Galliano (fashion camp aesthetics)

Movements and periods

Signature characteristics

  • Large-scale detailed pictorial works (190-380cm width typical)
  • Thin layers of diluted oil paint mimicking traditional Chinese gongbi watercolor technique
  • Figures with spiky, twisted coiffures
  • Supernatural beings, monsters, folkloric creatures mixed with contemporary references
  • Intricate detail and multifarious textures
  • Combination of co-existing perspectives questioning real vs surreal
  • Self-portraits/avatars as 'projections and embodiments of inner self'
  • Domestic spaces transformed into surreal mythological landscapes

Techniques and mediums

Primarily oil on linen, also watercolor and ink on paper Applies numerous thin layers of diluted oil paint to achieve translucent, watercolor-like effect reminiscent of traditional Chinese painting. Works intuitively, often beginning with an eye and building composition 'piece by piece.' Large works take 1-2 months. Uses physical models and props in studio (Victorian furniture, manga books, shadow puppets, fashion books)

Critical Reception

Research updated

Critical reception

Status
Early stage - primarily gallery and museum texts rather than academic scholarship
Documentation
Contemporary Art Library includes documentation of 4 projects from 2022 onward
Catalogue texts
ICA Miami exhibition catalogue (2024), Bernheim exhibition catalogues

Overall assessment

Highly positive reception from contemporary art press. Critics note technical sophistication, unique cross-cultural synthesis, and distinctive visual mythology

Key critical themes

  • Synthesis of Chinese folklore and Western pop culture
  • Technical mastery adapting traditional gongbi technique to oil painting
  • Personal mythology and psychological depth
  • Absurdity of contemporary life
  • Cross-cultural identity and navigation between London and Guangzhou
  • Comparison to Goya's reflection of historical reality

Critical positioning

Positioned as emerging voice in contemporary figuration, bringing unique Chinese-British perspective. Critics note unusual maturity and sophistication for age/career stage

Publications and media

Major publications

  1. Artist Ding Shilun Makes His Own Mythology

    Date
    February 5, 2024
    Type
    Feature interview
    Author
    Alex Needham
    Excerpt
    Profile of artist in studio covering working methods, influences, and mythological approach
    Publication
    W Magazine
  2. Ding Shilun Paints Life's Absurdities at Bernheim Gallery

    Date
    February 8, 2024
    Type
    Exhibition review
    Author
    Simon Fisher
    Excerpt
    Review of Mirage exhibition inaugurating Bernheim London space
    Publication
    Ocula
  3. Date
    February 12, 2024
    Note
    Coverage of Mirage exhibition
    Type
    Review
    Author
    Daniel Penny
    Publication
    Observer
  4. Summer Exhibition in London: Koak, Cece Philips and Ding Shilun at Hauser & Wirth London

    Date
    July 2025
    Type
    Exhibition preview
    Publication
    FAD Magazine
  5. Date
    2025
    Note
    Coverage of Hauser & Wirth exhibition
    Publication
    ArtDaily
  6. Date
    2024-2025
    Note
    Featured in articles
    Publication
    WHITEWALL
  7. Artists explore the surreal nature of the home at Hauser & Wirth

    Date
    August 22, 2025
    Type
    Exhibition review
    Author
    Emily Steer
    Publication
    Wallpaper*
  8. Interior Motives: Koak, Ding Shilun and Cece Philips @ Hauser & Wirth

    Date
    2025
    Type
    Exhibition coverage
    Publication
    Juxtapoz Magazine

Sources & research notes

Egon’s artist research combines historical auction records, recent sales, institutional history, critical reception and gallery information. Researched auction records and auction highlights are identified separately.

Read prices with their work, sale date, currency and stated basis. Egon’s market assessments are distinct from reported auction results.

Reference: Egon, “Ding Shilun: Market Intelligence & Investment Profile.”

Research updates by section

These dates show when Egon’s research sections were updated. Source retrieval dates, where supplied above, refer to individual evidence notes.

Ranking updated . Research sections follow their own update dates.

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