Egon 100 / Georg Baselitz

Georg Baselitz

German b. 1938 Egon Score: 40.9
Blue-chip
#55
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz

Egon Investment Scores

Liquidity
8/10
How easily works can be bought and sold at auction
Institutional
10/10
Museum collections, biennials, and institutional recognition
Momentum
8/10
Recent price trends, gallery moves, and market buzz
Discovery
1/10
Undervaluation opportunity relative to peer artists
Risk
1/10
Investment risk factors — higher means more volatile

Market Position

Pricing
Prints
€200 - €8,000
Drawings
€8,100 - €1,000,000
Paintings
€13,700 - €7,400,000
Sculptures
€1,600 - €1,500,000
Liquidity
Active secondary market with regular auction appearances at major houses
Collector Base
International collectors, strong European base, institutional acquisitions
Auction History
Previous Record
$9.1 million for 'Mit Roter Fahne (With Red Flag)' (1965) at Sotheby's London, March 2017
Market Trajectory
Strong institutional and collector demand; consistent performance at major auctions; significant presence in German contemporary art market surge
Recent Sales 2024 2025
Art Basel 2025
Work
Oh ho, siamo ritornati, am deutschen Wesen, Weltgenesungsbild (2023)
Price
€2.2 million ($2.5 million)
Gallery
White Cube
Work
Drei Hunde aufwärts (1968)
Price
€3 million ($3.45 million)
Gallery
Thaddaeus Ropac
Upcoming Sotheby's
Fingermalerei - Akt estimated $2-3 million (May 2025)

Institutional Presence

Exhibitions
Upcoming Exhibitions
Georg Baselitz: Feet First, Munchmuseet, Oslo (through May 2025)Bourse de Commerce - Pinault Collection, Paris (2025)
Museum Collections
Metropolitan Museum of Art, New YorkArt Institute of ChicagoSmithsonian InstitutionCleveland Museum of ArtVictoria & Albert Museum, LondonCentre Georges Pompidou, ParisMuseum of Modern Art, New YorkTate Modern, LondonSolomon R. Guggenheim Museum, New YorkMuseum Ludwig, CologneSan Francisco Museum of Modern ArtBerlinische GaleriePinault Collection, Venice
Awards and Recognition
Japan Art Association Praemium Imperiale (2004)Villa Romana Prize (1965)Goslarer Kaiserring (1986)Membership French Académie des Beaux-Arts (2019)

Career & Biography

Career
1957
Expelled from East Berlin academy for 'sociopolitical immaturity'
1961
Adopted name Georg Baselitz after hometown
1963
First solo exhibition in Berlin, two works confiscated by authorities
1965
Awarded Villa Romana scholarship, Florence
1969
Began painting subjects upside down
1980
Represented Germany at Venice Biennale
2004
Received Japan Art Association's Praemium Imperiale prize
2018
80th birthday retrospective at Hirshhorn Museum
Identity
Current Location
Lives and works near Salzburg, Austria; Lake Ammersee, Germany; and Imperia, Italy
Artistic Context
Pioneer of German Neo-Expressionism; developed signature upside-down paintings to emphasize form over content and stress the artifice of painting; rejection of both abstract art and socialist realism

Artistic Profile

Style
Upside-down paintings (since 1969), bold expressionistic brushwork, figurative subjects rendered with raw emotional intensity
Influences
German Expressionism, Edvard Munch, Jackson Pollock, Philip Guston, Willem de Kooning, Art Brut
Themes and Subjects
Post-war German identity, destruction and reconstruction, human figure, landscape, aging and mortality
Movements and Periods
Techniques and Mediums
Mediums
Oil painting, sculpture (wood, bronze), printmaking (etchings, woodcuts), drawings

Critical Reception

Critical Reception
Academic Recognition
Taught at art academies in Karlsruhe and Berlin; influenced generations of artists
Critical Positioning
Recognized as pioneering figure in German Neo-Expressionism and post-war European art
Controversial Aspects
Known for controversial statements about women artists, but critical consensus on artistic importance remains strong
Publications and Media
Major Publications
Extensive Artforum coverage including major reviews by Stuart Morgan (1983), Lisa Liebmann (1982)Burlington Magazine (2018)Deutsche Welle coverageNew Yorker reviewsArtnet analysis

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Active Market Signals

Signal Timeline & Strength Analysis
Gallery moves, auction records, institutional acquisitions, price milestones — tracked over 90 days

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Collector Demographics & Buyer Analysis
Geographic distribution, institutional vs. private buyers, collector profiles, and secondary market activity

Who is collecting Georg Baselitz? Geographic distribution, institutional vs. private buyers, and collector profile analysis.

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