Egon 100 / Georg Baselitz

Georg Baselitz

German b. 1938 – d. 2026 Egon Score: 66.1
Blue-chip
#33

Egon research · Artist market profile

The market, in context.

Explore Georg Baselitz’s auction history alongside the exhibitions, collections and gallery relationships behind the market.

Market research

Auction history & pricing

Explore the market context →

Gallery relationships

Representation & history

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Institutional research

Collections & exhibitions

Read holdings, exhibition history and their qualifications in context.

Read the institutional research →
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
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Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz
Georg Baselitz

Egon investment scores

Liquidity
8/10
How easily works can be bought and sold at auction
Institutional
10/10
Museum collections, biennials, and institutional recognition
Momentum
8/10
Recent price trends, gallery moves, and market buzz

Market position

Research updated

Auction record context

Auction record remains $11.24 million for the sculpture 'Dresdner Frauen – Besuch aus Prag' (Women of Dresden – Visit from Prague, 1990), Sotheby's New York, May 2022. Per MutualArt, realized prices range from ~$2 to $11.24M; record price since 1998 stands at $11,240,000.

Pricing

Note

Wide spread by medium/scale — major historical paintings and sculptures reach multi-million; works on paper, prints and minor works trade from low thousands. Prints €200–€8,000; drawings into seven figures for major sheets.

Prints
€200 - €8,000
Drawings
€8,100 - €1,000,000
Paintings
€13,700 - €7,400,000
Sculptures
€1,600 - €1,500,000
Averages trailing 12mo
Per MutualArt (mid-2026): paintings averaged ~$792,017; works on paper averaged ~$31,969

Liquidity

Highly liquid for a blue-chip artist — ~2,700 lots historically; regular appearances at all major houses; 73% recent sell-through in tracked 2025+ data.

Collector base
International, with strong European/German base and deep institutional acquisition history.

Primary market

Frieze new york 2026

Thaddaeus Ropac sold 'Stunde der Nachtigall' (2012) for €1.4 million ($1.54M), leading its roster sales at Frieze New York 2026; also offered 'Ohne Titel' (2025) and 'Untitled' (2025).

Gallery pricing guidance
Primary-market pricing controlled by Gagosian, White Cube and Thaddaeus Ropac; contact galleries for current pricing on new/estate works.

Auction history

Previous record
$9.1 million for 'Mit Roter Fahne (With Red Flag)' (1965) at Sotheby's London, March 2017

Record confirmed

Auction record remains $11.24 million for the sculpture 'Dresdner Frauen – Besuch aus Prag' (Women of Dresden – Visit from Prague, 1990), Sotheby's New York, May 2022. Per MutualArt, realized prices range from ~$2 to $11.24M; record price since 1998 stands at $11,240,000.

Market trajectory
Strong institutional and collector demand; consistent performance at major auctions; significant presence in German contemporary art market surge
Total lots offered
~2,700 works recorded at auction (MutualArt), indicating deep and liquid secondary market

Recent sales 2025 2026

Phillips feb 2026
'Die Wildnis im Zimmer' — $645,000 at Phillips, Feb 2026
Phillips sep 2025
'Getrommelt und gepfiffen' — $1,311 (works on paper, below estimate)
Christies jun 2025
Untitled — $44,100 (below estimate)
Db summary 2025 onward
Egon DB (Christie's/Sotheby's/Phillips/Bonhams, 2025+): 24 lots, 16 sold (73% sell-through), high $3,317,000, recent average hammer ~$182,639

Investment outlook

Trajectory

Sustained blue-chip demand; consistent multi-million results for major 1960s-90s works. Death likely supports long-term price strength though near-term results show some lots selling below estimate (a normal mixed pattern).

Estate repricing window

Death on April 30, 2026 opens a classic estate-market repricing window. News intelligence signals (Apr–May 2026, strength 8/10) flag typical post-mortem dynamics: closed oeuvre, controlled estate supply, and potential re-rating of major works. Posthumous Venice debut ('Eroi d'Oro') and concurrent museum retrospectives add momentum.

Institutional presence

Research updated

Estate note
Estate/studio collaborating with institutions on multiple 2026 shows; closed oeuvre now defined.

Exhibitions

Posthumous and 2026

  1. Georg Baselitz: Eroi d'Oro (Heroes of Gold)

    Note

    Final series; posthumous debut coinciding with the 61st Venice Biennale; large-scale gold-ground paintings including self-portraits and portraits of Elke

    Dates
    May 5/6 – September 27, 2026
    Venue
    Fondazione Giorgio Cini, Venice
  2. Baselitz. AVANTI!

    Note
    Major retrospective of ~170 works focused on printmaking, curated by Sergio Risaliti
    Dates
    March 25 – September 13, 2026
    Venue
    Museo Novecento, Florence
  3. Georg Baselitz: Time for New Heroes

    Note
    Revolving presentation of prints
    Dates
    Opened May 16, 2026
    Venue
    Kunstmuseum Schloss Derneburg / Hall Art Foundation
  4. Georg Baselitz, Bermondsey

    Dates
    2026
    Venue
    White Cube Bermondsey, London

Upcoming exhibitions

  • Georg Baselitz: Feet First, Munchmuseet, Oslo (through May 2025)
  • Bourse de Commerce - Pinault Collection, Paris (2025)

Recent solo 2019 2025

  • Gallerie dell'Accademia, Venice (2019)
  • Centre Pompidou, Paris (2021–22)
  • Museo di Palazzo Grimani, Venice (2021–22)
  • The Morgan Library & Museum, New York (2022)
  • Kunsthistorisches Museum, Vienna (2023)
  • Serpentine Gallery, London (2023)
  • Sakıp Sabancı Museum, Istanbul (2024)
  • KODE Bergen (2025)
  • Museo de Bellas Artes de Bilbao (2025)
  • MdM Salzburg (2025/26)

Museum collections

  • Metropolitan Museum of Art, New York
  • Art Institute of Chicago
  • Smithsonian Institution
  • Cleveland Museum of Art
  • Victoria & Albert Museum, London
  • Centre Georges Pompidou, Paris
  • Museum of Modern Art, New York
  • Tate Modern, London
  • Solomon R. Guggenheim Museum, New York
  • Museum Ludwig, Cologne
  • San Francisco Museum of Modern Art
  • Berlinische Galerie
  • Pinault Collection, Venice

Awards and recognition

  • Japan Art Association Praemium Imperiale (2004)
  • Villa Romana Prize (1965)
  • Goslarer Kaiserring (1986)
  • Membership French Académie des Beaux-Arts (2019)

Career & Biography

Research updated

Career

1957
Expelled from East Berlin academy for 'sociopolitical immaturity'
1961
Adopted name Georg Baselitz after hometown
1963
First solo exhibition in Berlin, two works confiscated by authorities
1965
Awarded Villa Romana scholarship, Florence
1969
Began painting subjects upside down
1980
Represented Germany at Venice Biennale
2004
Received Japan Art Association's Praemium Imperiale prize
2014
Avignon paintings — widely cited by critics as the start of his late-career peak phase
2018
80th birthday retrospective at Hirshhorn Museum
Death
April 30, 2026 — end of a six-decade career

2026 final work

His final series, 'Eroi d'Oro' (Heroes of Gold), large-scale gold-ground paintings, debuted posthumously at Fondazione Giorgio Cini, Venice, days after his death, coinciding with the 61st Venice Biennale. He described it as drawing 'some sort of conclusion' to his activity as a painter.

Identity

Death

Died April 30, 2026, at age 88; death announced by his longtime gallery Thaddaeus Ropac, which stated he died peacefully. Birth name Hans-Georg Kern, born January 23, 1938 in Deutschbaselitz, Upper Lusatia, Saxony.

Life dates
1938–2026
Survived by
Survived by his wife Elke Kretzschmar (married 1962), who was the central figure/model in his practice for over fifty years, and their two sons.
Current location
Lives and works near Salzburg, Austria; Lake Ammersee, Germany; and Imperia, Italy

Artistic context

Formative experience growing up amid the ruins of postwar Germany shaped his work; he described being 'born into a destroyed order, a destroyed landscape, a destroyed people, a destroyed society.' His work played a decisive role in the return of figurative painting to the international stage in the 1970s-80s. Pioneer of German Neo-Expressionism.

Artistic Profile

Research updated

Style
Upside-down paintings (since 1969), bold expressionistic brushwork, figurative subjects rendered with raw emotional intensity

Evolution

Career arc: Heroes/Fracture series (1960s) → upside-down paintings (from 1969) → Remix series (2005+) → late aging/mortality self-portraits → gold-ground 'Eroi d'Oro' final works (2025–26). His late work increasingly centered on themes of aging, mortality, retrospection and his lifelong portraits of Elke.

Influences
German Expressionism, Edvard Munch, Jackson Pollock, Philip Guston, Willem de Kooning, Art Brut

Signature series

Eroi doro 2026

Final series 'Eroi d'Oro' (Heroes of Gold): large-scale paintings with luminous gold grounds and delicately rendered figures, overlaid with bursts of impasto color. The reflective gold planes deny depth, creating a flatness reminiscent of medieval icons and early Northern Renaissance gilded backgrounds; includes larger-than-life self-portraits and portraits of his wife Elke.

Avignon paintings
2014 Avignon series marks the start of his celebrated late phase.
Themes and subjects
Post-war German identity, destruction and reconstruction, human figure, landscape, aging and mortality

Techniques and mediums

Mediums
Oil painting, sculpture (wood, bronze), printmaking (etchings, woodcuts), drawings

Critical Reception

Research updated

Critical reception

Controversy
Obituaries continue to note he 'came under fire' for comments about women artists, while affirming his art-historical importance.
Academic recognition
Taught at art academies in Karlsruhe and Berlin; influenced generations of artists
Critical positioning
Recognized as pioneering figure in German Neo-Expressionism and post-war European art
Controversial aspects
Known for controversial statements about women artists, but critical consensus on artistic importance remains strong

Late career assessment

Critics (e.g., obituary by poet/scholar Robert Isaf shared by the family) frame his work from the 2014 Avignon paintings onward as the realization of his full potential, recasting earlier decades as preparation for a 'later, greater masterpiece.'

Obituary coverage 2026

Death (April 30, 2026) received extensive tier-1 obituary coverage: ARTnews, The Art Newspaper, Artnet News, Domus, MutualArt, designboom, culture.org. Consistently described as one of the most consequential postwar German painters and an engine of 1980s Neo-Expressionism.

Art historical positioning

Credited with helping return figurative painting to the international stage in the 1970s-80s; recognition via 1980 Venice Biennale, 'A New Spirit in Painting' (Royal Academy), 'Zeitgeist' (Berlin), documenta 5 (1972) and documenta 7 (1982).

Publications and media

Major publications

  • Extensive Artforum coverage including major reviews by Stuart Morgan (1983), Lisa Liebmann (1982)
  • Burlington Magazine (2018)
  • Deutsche Welle coverage
  • New Yorker reviews
  • Artnet analysis

Sources & research notes

Egon’s artist research combines historical auction records, recent sales, institutional history, critical reception and gallery information. Researched auction records and auction highlights are identified separately.

Read prices with their work, sale date, currency and stated basis. Egon’s market assessments are distinct from reported auction results.

Reference: Egon, “Georg Baselitz: Market Intelligence & Investment Profile.”

Research bibliography · 15 sources

Sources recorded for this artist’s research. This bibliography does not assign every source to an individual claim.

  1. Georg Baselitz, Pioneering German Postwar Painter, Has Died at 88 - ARTnews
  2. Georg Baselitz obituary - The Art Newspaper
  3. Georg Baselitz, Neo-Expressionist Pioneer, Dies - Artnet News
  4. Georg Baselitz dies at 88 ahead of Venice debut
  5. Georg Baselitz | 2,700 Artworks at Auction | MutualArt
  6. Sotheby's Spring NY Contemporary Sale $283.4M - Artnet News
  7. Georg Baselitz | Results & Biography | Sotheby's
  8. Georg Baselitz dead: Eroi d'Oro exhibition Venice Biennale 2026 - Domus
  9. Georg Baselitz: Eroi d'Oro - Gagosian
  10. Georg Baselitz: Time for New Heroes - Hall Art Foundation
  11. Museo Novecento Florence Baselitz. AVANTI! retrospective
  12. What Sold at Frieze New York 2026 - Artsy
  13. Georg Baselitz (1938-2026): The Artist Who Inverted History - MutualArt
  14. Georg Baselitz, Bermondsey (2026) - White Cube
  15. Georg Baselitz - Thaddaeus Ropac
Research updates by section

These dates show when Egon’s research sections were updated. Source retrieval dates, where supplied above, refer to individual evidence notes.

Ranking updated . Research sections follow their own update dates.

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Active market signals

Recent activity

2 signals
price trend

Latest: Georg Baselitz bronze hand sculptures sold for €800,000 ($951,576) each at White Cube's booth, leadi

Most recent signal: Aug 20, 2026

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Who is collecting Georg Baselitz? Geographic distribution, institutional vs. private buyers, and collector profile analysis.

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